"All the World's a Stage We Pass Through" R. Ayana

Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Wednesday, 4 January 2017

The Nature of Light: Are We Living in a Telepathic Universe?



The Nature of Light
Are We Living in a Telepathic Universe?

World Grid and the Whirled Mind by R. Ayana

 

by Jonathon

 

Shooting Star Civilisation has formed around key statements and pivotal moments of collective agreement.  Some two hundred years after Christ, Ptolemy the Roman stated that the planets orbit the Earth. 

During the Renaissance, Copernicus observed that the Earth and the planets move around the Sun. Since Einstein related everything to the speed of light, consensus science has stated that the Big Bang created all matter and energy – including gravity. Every cosmological theory is now based on that core principal. 

However, the nature of light and electricity has almost been entirely ignored by the theoreticians along with “Occam´s Razor”, a scientific benchmark of demonstrable simplicity and yet we are told we will increasingly think in terms of light and electricity (A.Bailey/DK). In the new scientific quest, self-experience is the field of experimental enquiry towards self-knowledge.)

 

Do Stars Shine in Open Space?

 


What would you make of the wild idea that the light of the Stars, and our Sun, cannot be seen when viewed far from Earth´s, or any planet´s atmosphere?


Nasa photos of the Moon landing, Jupiter and Neptune


Surprisingly, this is more widely debated than one might think, from ridicule to the more serious thinkers on the frontiers of science. The background space appears to be consistently absent of stars in Apollo Moon shots and NASA photos of the planets (illuminated by reflected light). However, stars can be seen when viewed through the Earth´s atmosphere which includes the Hubble Telescope*. If there is any truth to this how has it escaped our attention and what does it imply regarding the nature of light and how it is propagated?

* While for most intents and purposes the Hubble Space Telescope can be considered to be in space, it actually lies in what is known as the thermosphere: the largest and most tenuous part of the Earth’s atmosphere. The thermosphere is roughly one million times less dense than the atmosphere at sea level, yet it is enough to affect the orbits of satellites that fly within it.

Given that the Science, in essence, seeks the “revelation of truth as it shines through and into physical existence”*, the following can help to shed some light on the physical and esoteric nature and origin of light.

Does light from the Stars including our Sun, propagate with a velocity at all? Is it a function of time and frequency? Is light impulsed without a wavelength by the Stars to take on appearance as travelling wave phenomena?  How is the mind involved as observer?

“If quantum mechanics hasn’t profoundly shocked you, you haven’t understood it yet.  Everything we call real is made of things that cannot be regarded as real.” 
– Niels Bohr


The Spectrum of Light

 

 

Goethe progressed our understanding of the spectrum of light from the initial work of Newton.  A more balanced view demonstrates the propagation of the full spectrum from white light and the absence of light.  The following images illustrate this dual relationship:



Prism of Light Spectrum – Goethe


Prism of Dark Spectrum – Goethe


For a deeper appreciation see the video: Light Darkness and Color – Goethe’s Theory

The implication here is that the “the absence of light” (space) has properties distinctly different from “the appearance of light”.

To get an understanding of the contrast it is helpful to gain an appreciation of:

  • The nature of light
  • The geometric harmony of Light, Electricity, Sound and Time
  • Pebble in a Pond – impulsed and travelling wave light


The Nature of Light

 

 

The light that we see with our naked eyes happens to be the 49th Octave of vibration in the “Electro-Magnetic Spectrum”.


All is vibration. Sound is light at a lower frequency. The absence of light is non-physical.


The following image differentiates between light propagation and appearance and is adapted from the work of Dinshah Ghadiali, (1873-1966) whose Zorastrian background followed on the ether science of light by Edwin Babbit to develop and originate Spectro-Chrome light therapy.


Harmonic Geometry of Light, Electricity, Sound and Time

 

Plato´s five “platonic solids” represents a view of the elemental building components of the material world.  These would appear to have been derived from sacred geometry, a science from the ancient world.

When sound is produced from the geometry of the solids, the harmonics of Pythagorean musical tonation is revealed, in particular the Major Key of F#. For example,

The angles of a Triangle produces 180° which sounds an F#.

The 360° of a Square or Circle also sounds an F# and a perfect fifth.

With the 540° of a Pentagon, an F# Major chord is sounded.




The more natural tuning of “A”, originally 432Hz rather than the modern international standard of 440Hz, is notable in that 4322 = 186,624 close to the accepted universal constant speed of light in Miles per Second, being also an F#. , and 186624 /9 /9 /9 /9 /9 = 3.16 (similar to the value of pi).

As if to indicate that music and light are synonymous, the diameter of the Sun is 432 x 2,000 = 864,000 miles!

See this excellent video:
Sonic Geometry: The Language of Frequency and Form

 

 

 

The underlying harmony between music and electricity has been identified and well explained by Eric Dollard, one of a very few electrical engineer/scientists who can understand the mathematics and the patterns of nature.  Eric Dollard is the only electrical scientist to have successfully replicated Nichola Tesla´s “Magnifying Transmitter” that utilises longitudinal (impulsed) properties of electricity, ignored by conventional physics. His presentation of “The Power of the Aether as Related to Music and Electricity” compares the organ music of Sebastian Bach (he designed and had built an organ using original polyphonic tuning) with the Electric Aether Physics of JJ.Thompson, whose science was displaced in favour of Einstein´s theories of Relativity.

“Aether Is both mathematically and concretely engineerable by understanding the work of J.J. Thomson, which shows that there is an aether and matter equivalency. It is a mathematical reality that has remained hidden in plain sight for over a century.”

From Eric´s work we learn that Tesla and others, who were familiar with the concept of the electrical aether, considered the flow of electricity as “positive” in the etheric domain and “negative” in the physical domain, in other words “monopolar”, requiring simply one wire to flow, rather than “bipolar” requiring two wires to flow and return.

In his other work, Dollard extensively describes the impulse or longitudinal and the travelling wave characteristics of dia-electricity (electricity without its magnetic component), these operating at 90° to one another. See: Eric Dollard – Electricity defined.

 

Pebble in a Pond – impulsed and travelling wave light

 

Before considering the science, for the sake of illustration, let´s imagine a clear pool of water, undisturbed by any motion. Upon dropping a pebble into the centre, at the point of impact an impulsing motion arises formed by an oscillation of pressure. This pulsation continues for a while, while an enlarging periphery of travelling waves moves ever outward to reach the limits of the pool´s boundary. The one is operating upon an axis perpendicular to the other. The former displays pressure and trajectory while the latter gives the idea of frequency and outer movement from the radiant centre. 

Where there are two or more of these impulse phenomena, the characteristics of orbital patterns and rotation or spin of heavenly bodies is suggested. Note also that the axis of the impulsing centre gives rise to the travelling wave which is then experienced as frequency and appearance in space and time.

As to why the Stars may not appear in open space to the naked eye, Tom Brown puts the knowledge together of the properties of light and electricity in this article to offer an interesting theory:

Some Observations on the Relationships between Light & Electricity by Thomas Joseph Brown, http://rainengineering.com/ether/Light&Electricity/light_and_el…

Quoting briefly, he invites us …

“Let us observe the sky. During a cloudless day we see two distinct atmospheric colors, yellow and blue, which we now know Goethe considered as the only true colors. The yellow is the dot of the sun and the blue is the dome of the atmosphere. The red-yellow pole of color formation is observed as the sun moves from overhead towards the horizon…  In terms of propagation the yellow light of the sun can be seen as a radial transmission wave, or rays, directly connecting the atmosphere with the solar body itself. This red-yellow pole is a longitudinal, instant direct connection. At night the LONGITUDINAL beam of stars can be seen. It is possible, given this line of thought, to conceive of the probability that the starlight we see is an instant transmission, a direct “real-time” connection to the star we are viewing.”


Thought is Light Before Appearance

 

 

A key factor to the question, “Can the Stars be viewed in open space beyond the Earth´s atmosphere?” is the effect of atmosphere.  It is suggested that light, as it arises from intentional thought, operates in the etheric medium of Space as an impulse of pressure and that it only “appears” when subjected to or defracted by an atmosphere to then become a travelling wave phenomenon.

As an impulse of pressure, there is no time delay, both sending and receiving are instantaneous.  Apparently earlier longitudinal radio and TV transmitters (RCA) displayed this characteristic.  In other words, in the quantum like etheric medium the thought is everywhere present.

These two images may help to illustrate the impulsing nature of energy forming travelling wave phenomena, and the effect upon the etheric field of a sphere such as the Earth.


Formative impulse with travelling wave front.

Etheric wave simulation


If the Spheres are impulsed via the Sun in this way, it may be that the solar system is involved in a process of “cosmic induction” and that the galaxy as a whole is responsible for maintaining the life cycles of a living solar system?

If the Stars are indeed in telepathic communication and of One Mind, could it be that our Soul is such a Star, our humanity the vehicle through which the Universe is becoming conscious of itself?  Perhaps the way that lies ahead is in the work of constructing the Antahkarana, more commonly known as the “Rainbow Bridge” that connects our humanity with a much larger galactic family that may eventually realize our freedom to move amongst the cosmos as expressions of One Being.

May the Stars awaken within our humanity!

Jonathan
27 Sept. 2015, Mayan “Galactic Earth” day


References:

EVERYTHING Is Invisible In Space In The Visible Spectrum (Peter Lin…
https://en.wikipedia.org/wiki/Examination_of_Apollo_Moon_photographs
Aether Research by Thomas Joseph Brown
See also http://borderlandresearch.com/aether
Eric Dollard – Electrical Scientist, on the nature of aether electricity and beyond Einstein. http://www.gestaltreality.com/energy-synthesis/eric-dollard/
Eric Dollard – The Power of the Aether as Related to Music and Electricity
download from Dropbox – Video part I, Video part II

The Electric Universe Project,
http://www.holoscience.com/wp/
http://www.thunderbolts.info


On Astrology: “That the fundamental of etheric or longitudinal wave function is illustrated as the formation point of reality and 3d space/time, due to the fact that astrology works and works perfectly well.” (Re: Eric Dollard – A Modern-Day Nikola Tesla, Project Avalon)

 * definition of purpose of the Scientific Servers, one of the “seed groups” indicated in the creation of new civilisation by Alice Bailey.




For more information about light see http://nexusilluminati.blogspot.com/search/label/light   
- Scroll down through ‘Older Posts’ at the end of each section




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Monday, 1 August 2016

432 DNA Tuning and the Nazi-ization of Music


432 DNA Tuning and the
Nazi-ization of Music


http://truthseeker.se/wp-content/uploads/cymatics18_01-1-667x440.jpg


by Brendan D. Murphy


Not Quite Music to My Ears (An Intro to “Nazi-Rockefeller Tuning”)


It’s blatantly obvious to me, after over a decade of investigation, that humankind is the (largely unwitting) victim of a frequency war on our consciousness that has been waged for decades, if not millennia. The goal has clearly been to keep us as sheep-like, gullible, and subservient as possible—through multifarious means. In modern history in particular, there has been what Dr. Len Horowitz has referred to as the strategic “militarization” of music.

This happened in 1939 when the tuning of A=440 Hz was adopted in the world of music. In 1910 an earlier push to effect the same change was met with limited success. Three decades later, the British Standards Institute (BSI) adopted the A=440Hz standard promoted by the Rockefeller-Nazi consortium—“at the precise time WWII preparations were being finalized by the petrochemical-pharmaceutical war financiers.”[i]


432 DNA
Left: Eugenics proponents, David Rockefeller (son of John D. Rockefeller), William Gates (father of Bill Gates), and David Rockefeller


This was the year (1939) that A=440 became the international standard. The American Federation of Musicians accepted the A440 as standard pitch in 1917, and the U.S. government followed suit in 1920.[ii] One must surely ask why Nazi propaganda minister, Joseph Goebbels argued for this odd intrusion into musical creativity, persuading Hitler’s supposed enemies in Britain to adopt this “superior” standard tuning for the “Aryan/Master Race.” What did the Nazis (and their secretive US financiers) have to gain from this?

It is interesting, also, to note that in October 1953, despite the British and Nazi push for the arbitrary A=440 standard (which is “disharmonic” vis à vis the physico-acoustic laws of creation governing reality), a referendum of 23,000 French musicians voted overwhelmingly in favour of A=432Hz.[iii] Many, many musicians, through recent centuries have expressed their strong preference for the A=432 reference pitch. “This tuning was unanimously approved at the Congress of Italian musicians in 1881 and recommended by the physicists Joseph Sauveur and Felix Savart as well as by the Italian scientist Bartolomeo Grassi Landi.”[iv]

According to preliminary research, analysis, and professional discussions by Walton, Koehler, Reid, et al., on the web, A=440Hz frequency music conflicts with human energy centers (i.e., chakras) from the heart to the base of the spine [the lower four]. Alternatively, chakras above the heart are stimulated. Theoretically, the vibration stimulates ego and left-brain function, suppressing the “heart-mind,” intuition and creative inspiration.[v]

Interestingly, the difference between 440 and 741 Hz is known in musicology as the Devil’s Interval.

For maximum suppression of human consciousness, the frequencies we naturally resonate with, and which are the most biologically and psycho-spiritually enhancing, must be maximally suppressed. As far as many guitarists are concerned, A=432 Hz seems to be the most practical, optimal, and most bio-friendly resonant tuning we have, although many musicians have also favoured A=444. (A=444 Hz belongs to a different scale, where C=528 Hz.) Ancient Egyptian and Greek instruments have reportedly been found to be tuned to 432 Hz.

But there’s more: the cochlea, the part of the inner ear that converts acoustic impulses into electrical signals, has a seashell-like spiral shape. A bilateral cross-section of the cochlea is mathematically describable through the Fibonacci series (the Golden Ratio / Phi as manifested in nature).


432 DNA Left: Cochlea


According to Chas Stoddard in A Short History of Tuning and Temperament, this fractality/recursiveness allows octaves to be decoded at the same point in each layer of the spiral, and may therefore be why we can discern octaves at all (meaning, that without this cochlea design, we would just hear pitch rising or lowering, we would not be able to identify that, for example, 256 Hz is C, as is 512 Hz also C).[vi] The octave concept would be almost meaningless and sonically undetectable to us.

Somehow, Austrian genius visionary Rudolf Steiner (1861-1925) was on to all of this. He said: “Music based on C=128hz (C note in concert A=432hz) will support humanity on its way towards spiritual freedom. The inner ear of the human being is built on C=128 hz.” The fact that Phi/Golden Ratio is so key in morphogenesis (see TGI 1) in humans and throughout nature suggests that there may be an interesting yet little-known relationship between the galactic harmonic of 432 that shows up in our solar system and the Golden Ratio.


432 DNAAt least A=432 is bio-neutral at worst, and is widely considered bioenergetically enhancing or healing if employed intentionally. Meditation music at 432 Hz is certainly relaxing and soothing, though I don’t consider there to be anything “transformative” about it, and transformative measures are what we so desperately need to intercede in our collective path at this time. As a musician and someone who uses the Solfeggio frequencies to perform DNA and kundalini activations for people who seek those healing and evolutionary services, I would actually go so far as to argue that, at this point in our history, the Solfeggio C at 528 Hz and not 512 Hz may be even more valuable to us in our search for reconnection to Self and Source—and most definitely facilitates people’s unplugging from the Matrix. It is widely associated with DNA activation, repair, and human transformation. See here for more on this topic.

Note the visible light spectrum and colour wavelengths (left). Look for 528 and notice where you land: in the region of the “green ray”, esoterically speaking. The higher harmonic of the green ray/frequency is absorbed and metabolised by the heart chakra vortex.


432 DNA
It is no coincidence that the wavelength of visible light at 528 nm is also green. The one is a harmonic of the other. If humanity needs to supercharge anything in our bioenergetic anatomy at this point, it is surely our heart intelligence, which conduces to compassion, empathy, and intuition. (We have more than enough of the cunning of the ego-driven cephalic intelligence.) Here lies a clue to the potency and importance of C=528 but I don’t want to digress too far.


To return to the main thrust now. Maria Renold, in her book Intervals Scales Tones and the Concert Pitch C=128hz, claims conclusive evidence that A=440Hz tuning (above scientific “C” Prime=128/256/512 Hz, where A=432 Hz) “disassociates the connection of consciousness to the body and creates anti-social conditions in humanity.” Modern “Equal Temperament (ET)” tuning was supposedly the excuse for musicians to play consonance, but, according to researcher Brian T. Collins (who strongly endorses Renold’s book), it actually diminishes perception of tone and resonant harmony.[vii]

Many people appear to endorse the view that, while A=440 music is more exciting (or aggressive, for some), it is more mind-oriented and disconnected from the human feeling centres, particularly the heart (which has by far the largest EM field of all bodily organs, including the brain, which it can actually entrain). Disconnecting the heart from the brain is—as history (and our present condition) shows us—catastrophic on a planetary scale, for many reasons, but fundamentally, it disconnects us from our innate wisdom and compassion as sentient beings, thus disconnecting us from each other and the other intelligent beings we share this planet with (not to mention the planet itself which is a living intelligence).

Ancient tuning practices employed the “Just Intonation” system of tuning. It featured “pure intervals between every note that were mathematically related by ratios of small whole numbers leading to a much purer sound.” From about the 16th century onwards, “Twelve-Tone Equal Temperament” tuning, according to Joachim Ernst-Berendt, commenced the mistuning of all consonant intervals except the octave.[viii]

As a guitarist (who writes music primarily on an electric guitar), I prefer to tune up to A=444/C=528 rather than further down-tuning to 432 (I already drop a full step down on the electric and one of my acoustics and don’t want to lower string tension any further). 528 derives from the ancient Solfeggio scale, as re-discovered by Dr. Joseph Puleo, a co-researcher and co-author with Dr. Len Horowitz of the well-researched and confronting book Healing Codes for the Biological Apocalypse (read it for proof of the Nazi connection to 440 tuning). At A=444 I can feel the resonance almost on a cellular level—the vibrations go right through me, and the guitar feels almost like a part of me. The tone is beautiful and bright; highly resonant. This is not the case when I use 440 Hz (standard Western tuning). Electric guitars, lacking a resonant cavity, don’t make the distinction as easy, however, that doesn’t mean that our cells don’t appreciate the subtle difference. More on the Solfeggio scale and why 528 is so important in a coming article.


http://globalfreedommovement.org/wp-content/uploads/2015/10/432-meme.jpg


The Curious Case of 432


  • Diameter of sun = 864,000 miles (432 x 2)

Interestingly 8+6+4 = 18 (1+ 8) = 9 the number of completion

  • Diameter of moon = 2,160 miles (5 x 432 = 2,160)

2+1+6+0 resolves to a 9, as does 4+3+2 = 9 and 5 x 9 = 45 and 4 + 5 = 9 as well.

  • Precession of the Equinoxes of Earth = 25,920 years (60 x 432)[ix]

2+5+9+2+0 also equals 9, while 6 x 9 = 54 and 5 + 4 = 9 also.

We see above an interesting relationship between the 432 and the number of completion arising as we look at this material. The numbers suggest that the “universal” or solar constant of 432 has to do with the “completion” (or completeness) of the manifest material world.

Interestingly, the leading acoustician in Beethoven’s time was Ernst Chladni (1756-1827), the godfather of cymatics. His music theory textbook explicitly defined C as 256/512 Hz, the “scientific” tuning. (The A above this C in this standard scale is 432 Hz.)

Perhaps this is to do with 432 squared—186,624 (1+8+6+6+2+4 = 9)—being within 1 percent accuracy of the speed of light, (186,282 miles per second, which also resolves to a 9!). The square root of the measured speed of light is 431.6(!) By deductive reasoning, we might speculate that “notes tuned relative to A432 harmonize directly with the light body [auric fields] allowing the vibrations to penetrate, and through entrainment, bring your energetic essence into balance. Entrainment is the tendency for a strong vibration to influence a weaker vibration.”[x]

Inversely, A=440 tuning may produce a dissonant or “agitative” effect on the aura/mind—and anything that disrupts/disturbs DNA will create contraindications in the aura due to DNA’s innate sound-light translation mechanism. The human aura, of course, is the closest thing we have yet been able to point to as “consciousness” or “mind” in the manifest measurable world, as I show in The Grand Illusion – Book 1.

Using 256Hz as the reference for C (where A=432), all occurrences of C are a power of 2. Interestingly, the Schumann resonance—earth’s electromagnetic “heartbeat” existing within the atmosphere between the earth’s surface and our ionisphere—ranges from about 7.83 to 8 Hz on average—very close to (and even the same as) 23. This isn’t terribly surprising if you consider the frequency of earth’s axial rotation: “Earth’s ‘pitch’ (cycles per second/Hertz) as it rotates is G, a fourth below the theoretical C that lies 24 octaves below middle C, when C=256Hz. So C256/A432 is in tune with the Earth’s rotation,”[xi] which is “in tune” with the speed of light, which is “in tune” with the diameter of the sun, which is “in tune” with the diameter of the moon, which is “in tune” with the precession of the equinoxes! That’s a lot of harmony, which is exactly what we should expect from a holofractal (scaled) plasma-based universe.


C#=544 Hz, NOT 554 Hz!
A.K.A The Breakthrough that Didn’t Quite Break Through

In a ground-breaking research collaboration initiated in the late 1980s, biologist David Deamer and composer Susan Alexjander sought to directly ascertain the frequencies emitted by the bases of our DNA (A, G, C, T). They did this by directly measuring the infrared absorption spectra of DNA molecules. These DNA frequencies were then arranged as “scales” of tones, and subsequently used as the basis for Alexjander’s musical compositions.

The atomic bonds within these base molecules “bend, stretch, and rock upon absorbing infrared light with a specific frequency related to the energy and strength of the bond and the mass of the nucleus of the atom. A tighter, smaller bond from, say, hydrogen, will absorb light with a higher wavenumber (number of waves per centimeter), and a higher ‘note’ in the infrared spectrum.” A spectrophotometer was used to ascertain the frequencies of the different bases. Inside this device, infrared light with frequencies ranging from 600 to 3000 wavenumbers (in units of cm-1) was passed through each sample, being absorbed at specific frequencies, which the instrument plots as a spectrum. Once the wavenumber was identified, it was converted to hertz using the following equation: Frequency (Hz) = velocity (speed of light) x wavenumber

Because this process involves infrared light—not sound—frequencies, huge numbers (megahertz) were obtained, that, if translated directly into hertz would be far beyond human hearing (and thus useless for creating a musical composition, as intended). Recognizing that if they were to halve the numbers they were getting—and keep halving (decreasing them by octaves at a time) until the number fell within the audible range of sound frequencies, they would end up with the same notes only at much lower (audible) octaves. Each DNA base yielded 15 – 18 notes; 60 in all. Interestingly, it appears that none of the bases emitted an A#—it was the only note of the diatonic scale missing.

Once this data was collected, it was converted into a human hearing range and programmed into a Yamaha DX7 IID synthesizer. They needed to use a “special electronic keyboard…because the tunings that were derived were almost all microtones” (tones smaller than a regular semi-tone, the smallest interval generally used in Western music).[xii] This presented Alexjander with a formidable challenge regarding creating actual musical compositions out of these tightly-packed clusters of DNA base notes. At first, there was no seeming organization or order to what she was seeing or hearing, when experimenting with the 60 different microtonal DNA notes on her synth.


432 DNA


Then, after weeks and weeks of experimentation with different sound combinations, a “tonal center” began to emerge. One pitch in particular seemed to lend meaning and coherency to the challenging microtonal morass—a pitch common to all four bases: C#(!)

Adenine: 545.6 Hz

Guanine: 550

Thymine: 543.4

Cytosine: 537.8

Average DNA Hz = 544.2

This is where their project gets particularly interesting for those of us interested in sound-based healing, Just Intonation tuning, and the acoustic laws underlying creation.

You see, in today’s bastardized standard tuning (Equal Temperament), C#=554 Hz/A=440, and C=523. Look carefully at the frequency values of each DNA base above and you see that all four of them are fairly close to being tuned to this standard tuning (where A=440, the “Nazi tuning”). This C# “is positioned almost exactly in the center of the absorbency rates, and shows up as the average. This C# seems to act as a balancer for the entire spectrum of frequencies,” as Alexjander put it. She further observes that most of the gongs, bells, and drums of the non-Western world are tuned to this C# tonal center—as if we are collectively trying to subconsciously tune to something (natural cosmic harmonics).

in the ancient Just Intonation tuning system based on nature itself, C# is precisely 544 Hz—exactly what emerged as the dominant, central “organizing” DNA base frequency in Alexjander and Deamer’s research!

What made my jaw drop, however, was not that the four DNA bases’ tuning averaged out at 544 Hz, fairly close to standard tuning where C#=554 Hz (a discrepancy of only 10 Hz). It was, rather, the fact that when A=432 Hz, as in the ancient Just Intonation tuning system based on nature itself, C# is precisely 544 Hz—exactly what emerged as the dominant, central “organizing” DNA base frequency in Alexjander and Deamer’s research! Astonishingly, Alexjander and Deemer have apparently missed this crucial correlation. Apparently we have 432 DNA!

A432 Hz is the tuning of the Cosmic Keyboard or Cosmic Pitchfork, as opposed to the A440 Hz modern “standard.” It places C# at 136.10 Hz [544 Hz four octaves higher] “Om,” which is the main note of the Sitar in classical Indian music and the pitch of the chants of the Tibetan monks, who tell us “It comes from nature.” – Dameon Keller[xiii]

Now we are seeing a real basis for precisely why sound healing works—on every level of our beingness. It is a harmonic rule that whatever octave you are toning at, it will automatically resonate the other octaves of that note. So, even if you are toning vocally within the limited human vocal (or hearing) range, and you are toning into a chakra, if you have selected the “right” note, it can and will correct cymatic deformations in that chakra, even though the magnetic vortex of said chakra will be spinning at a frequency (and harnessing light at frequencies) far beyond the range of regular sense perception, and thus, invisible to most people. The law of harmonic resonance means that you will immediately affect light/matter on many octaves of the same note simultaneously. Because sound (vibration) organizes light/matter into form, it is potentially the most potent tool in a healer’s arsenal. Sound does strange and exotic things other tools cannot; “junk” DNA, for example responds to sound—codons can be turned on or off using acoustic vibrations, and our cell membranes (which are the “brains” of the cells) have antennae that detect sound vibrations and can pass them into the cellular matrix.

According to clairvoyant Barbara Brennan, former physicist and founder of the Barbara Brennan School of Healing, when she uses her voice in this way for healing chakra deformities, the chakra will stand up and spin correctly almost immediately. From there, it only takes a few seconds once a chakra is corrected on the first/etheric level to then become the correct color on the second level (emotional body) of the field.[xiv]

Well known biologist Bruce Lipton has stated that, aside from the better known “lock and key” cell receptor sites, there are also antenna-like structures (“primary cilium”) on the cell membranes in our bodies that respond to vibrational frequencies:

 Receptor antennas can also read vibrational energy fields such as light, sound, and radio frequencies. The antennas on these energy receptors vibrate like tuning forks. If an energy vibration in the environment resonates with a receptor’s antenna, it will alter the protein’s charge, causing the receptor to change shape…Biological behavior can be controlled by invisible forces as well as it can be controlled by physical molecules like penicillin…[xv]




Lipton’s material illustrates something about the mechanisms involved in epigenetic change, in this case epigenetic shifts triggered by sound. “Toning,” as intuitive channeller Barbara Marciniak is informed by her apparently interdimensional Pleiadian muses, “is a key to releasing stored knowledge. It unlocks a doorway and allows information to flood into your body…[I]n a very subtle way, it changes your perceptions.”[xvi]

Given that our DNA is tuned to the harmonic laws of creation—as seen in Just Intonation tuning—at C#=544 Hz, it makes complete sense that healing instruments like Tibetan sound bowls may be tuned to this natural scale.

I’ll be back later to share more about C=528 Hz and the importance of the Solfeggio frequencies. In the meantime, please remember that you are nonlocally and gravitationally connected to the resonant frequencies of the cosmos and that no one stands alone “outside” of the cosmos or cut off from everything (though they may feel like that at times). We’re all part of this huge resonant system, participating in dynamic feedback loops with intelligent subsystems such as the sun, the moon and the earth. Our sense of separation is strictly a brain-based “grand illusion.”





432 DNA


About the author


432 DNACo-founder of Global Freedom Movement and author of the critically acclaimed “mind-blowing masterpiece” THE GRAND ILLUSION: A SYNTHESIS OF SCIENCE AND SPIRITUALITY, Brendan D. Murphy is a leading expositor of the new paradigm of integrated science and spirituality/sovereignty, and has been referred to as the “Chomsky of the spiritual movement.”. He is also a passionate advocate of accelerated conscious evolution through sound-based DNA and kundalini activation.

“Enough of the slave species legacy we’ve been playing out for millennia! It’s time to rediscover sovereignty, infinite consciousness and our multi-dimensional selves. Evolution is calling. Will we answer?” Get activated here: www.brendandmurphy.net

[i] Len Horowitz, Musical Cult Control, http://www.medicalveritas.org/MedicalVeritas/Musical_Cult_Control.html
[ii] Gary Meisner, http://www.goldennumber.net/music/
[iii] Mark Brewer, Music of the Spheres: A Case for A=432Hz, http://markbrewerharpist.com/blog/2013/02/music-of-the-spheres-a-case-for-a432hz/
[iv] The Secret Behind 432Hertz Tuning, http://attunedvibrations.com/432hz-healing/
[v] Horowitz, op. cit.
[vi] Brian, T. Collins, The Importance of 432Hz Music, http://omega432.com/432-music/the-importance-of-432hz-music
[vii] Ibid.
[viii] Karol Jankowiak, Solfeggio Frequencies Set Body into Full Harmony, http://www.wakingtimes.com/2014/02/01/solfeggio-frequencies-set-body-into-full-harmony/
[ix] www.mythsdreamssymbols.com/432.html
[x] Brewer, op. cit.
[xi] Ibid.
[xii] Susan Alexjander, The Infrared Frequencies of DNA Bases, as Science and Art, http://www.oursounduniverse.com/articles/IEEE.html
[xiii] Dameon Keller, http://dameonkeller.wix.com/esotericartschicago#!sound-&-vibration-and-color-&-light
[xiv] See Brennan, Hands of Light, Bantam, 1988.
[xv] Bruce Lipton, The Biology of Belief, 2005
[xvi] Marciniak, Earth, 68-9.




For more information about Solfeggio frequencies see http://nexusilluminati.blogspot.com/search/label/solfeggio%20frequencies  
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