"All the World's a Stage We Pass Through" R. Ayana

Showing posts with label pythagoras. Show all posts
Showing posts with label pythagoras. Show all posts

Wednesday, 3 February 2016

The Sacred Harmony of Geometry


The Sacred Harmony of Geometry

Sacred Geometry

There will come a day
when music and its philosophy
will become the religion of humanity.


-      Hazrat Inayat Khan

What Sacred Geometry Really Is

 

Sacred Geometry means literally "The Sacred Measure of the Earth". But it could also be called "The Blueprint of all Creation". In reality, Sacred Geometry is a profound spiritual science, which has been taught for thousands of years in spiritual traditions around the world. This is because Sacred Geometry reveals the actual patterns by which Spirit creates our World. 1

There are a Ton of esoteric teachings with Sacred Geometry all through them. Yet no one really knew what Sacred Geometry REALLY represented: The segmented BLUEPRINTS to ENERGY; The Mathematical Formula of CREATION.

Sacred Geometry represents the Segmented Blueprints of Magnetic Currents & Neutral Particles of Matter.
2

One of the most important discoveries of the new quantum physics is that of the holographic nature of the universe. The geometric language of light, that forms the underlying matrix of this hologram, is the alphabet of the new paradigm.

The primary infrastructure of all existence is written in the Sacred Geometric language of light. All is light ... all is geometry.

Sacred Geometry is the 'graphic code' that reveals the processes of inherent order underlying all of creation.

The mathematical laws of Sacred Geometry govern every system of growth, every motion in the universe, from atomic bonds to spiraling galaxies.
3

Sound structures form. Form is the shape of frequency. 4

Historically, definitions of Sacred Geometry vary. Invariably, all point to the same concept. But none takes Sound into account.

SACRED GEOMETRY IS THE THREE DIMENSIONAL INTERFERENCE PATTERNS OF THREE DIMENSIONAL NONLINEAR STANDING WAVES.

Iconic Terra Prana Sphere / Cuboctahedron / Heptaparallelohedron


The construct depicted above comes from an accurately perceptual representation of pitch in 3 dimensional space, called HarmoniComb (3D Logarithmnic Pythagorean Lambdoma).

It is fully described in the new version of the chapter “The Fine Art of Combining Harmonics”.

Among others, it PROVES that the  Basics of the Music System, as presented on cosmometry.net is an arbitrary, abberant and futile attempt of associating the tones of the artificial equal tempered (out-of-tune) scale and Sacred Geometry.

The Harmonic Series Creates the Basic Geometric Pattern of Existence

 

The Harmonic Series is the hidden code, the starting point in creating the basic patterns of sacred geometry.

The Seed, Flower, Fruit and Tree of Life, Vesica Piscis and the Borromean Rings, Metatron's Cube and The Platonic Solids (Tetrahedron, Hexahedron, Octahedron, Dodecahedron, and Icosahedron), Golden Mean Spirals and The Torus, The 64 Strands of DNA, The Sri Yantra, The Endless Knot, Ankhs and The Human Merkaba - THEY ARE ONE AND THE SAME THING, AND THEY ALL COME FROM THE HARMONIC SERIES.

And the mechanism through which the Natural Harmonic Series comes into existence is nonlinear. In mathematics, a nonlinear equation is an equation that has among its terms at least one exponent larger than 1. This makes sense, as our perception of sound is logarithmic, meaning we hear succesive whole-number exponents of the same number (interval) as equal steps. In physics, nonlinear distorsion refers to the generation of harmonic frequencies that are not present in the original stimulus, that is, nonlinear relationship between "input" and "output".

Einstein's belief was that geometry holds the key to creating a unified equation of the universe.

The understanding of the holographic and fractal nature of the Universe, and the relationships that exist between all things led Nassim Haramein to conclude that Nature builds Life by a Perfect Blueprint. 5 It is the (unified) equation of this blueprint that Nassim may have discovered.

Sacred Geometry is just that: the blueprint of Creation and the genesis of all form. 6 Out of this, an equation can be derived at any level of manifestation.

But what is the blueprint of Sacred Geometry? How are the patterns of Sacred Geometry generated, how does Mind (Energy) turns itself into mass?

The answer is Music. The Harmonic Series is the perfect blueprint of the perfect blueprint - the creative force behind the creative force.


Cosmic Mandala from Bhutan
Cosmic Mandala from Bhutan
Image copyright: Johannes Quistorp
Entfaltung der Stimme


In the Vedas of the Hindus we read: Nada Brahma - sound, being the Creator. In the works of the wise of ancient India we read: 'First song, then Vedas or wisdom'. When we come to the Bible, we find: 'First was the word, and the word was God', and when we come to the Qur'an we read that the word was pronounced, and all creation was manifest. This shows that the origin of the whole creation is sound.

In the very depth of man's being the harmony of the working of the whole universe sums up in a perfect music. Therefore, THE MUSIC WHICH IS THE SOURCE OF CREATION, THE MUSIC WHICH IS FOUND NEAR THE GOAL OF CREATION, IS THE MUSIC OF THE SPHERES.

Every thought, every word has its form. Sound alone is free from form.

When one looks into the past, the present and the future one sees that life is eternal, and what one can discover is that which has always been discovered by those who seek.

Philosophy or science, mysticism or esotericism will all agree on one point if they touch the summit of their knowledge, and that point is that behind the whole of creation, behind the whole of manifestation - if there is any subtle trace of life that can be found, it is motion, it is movement, it is vibration.

Music is behind the working of the whole universe. Music is not only life's greatest object, but music is life itself.

The religions of the world, the prophets and mystics who existed ages ago knew these things, [knew] that this is something which has always been known, and has been spoken of by those who knew it - but in spiritual terms.

The Vedanta speaks of Nada Brahma, the Sound-God, the sound that is God, of which all things are made. Sufis call it sawt-e-sarmad, the sound that intoxicates man. The Qur'an says: 'Kunfa-yakun - when God said "Be", it became'. Before this world was, all was in sound, God was sound, we are made of sound.
7

 

3D Nonlinear "Standing Waves":
the True Sacred Geometry of Sound

 

Despite several thousand years of failure to correctly understand physical reality, there is an obvious solution. Simply unite Science with Metaphysics and describe reality from only one substance existing.

Given we all experience many minds and many material things, but always in one common Space, we are required to describe physical reality in terms of Space. We then find there is only one solution, a Wave Structure of Matter (WSM) where the electron is a spherical standing wave.
8

Based on the present understanding of physics the universe may support large standing waves and because of the non-linearity of the wave equation we know that every wave will produce harmonics and in three dimensions these waves will also be standing waves. Taking a brave step [...], the assumption is that there is nothing but these waves. So forgetting all other known physics we state a single principle, the single axiom of the Harmonics Theory:

The Universe consists of a standing wave which develops harmonically related standing waves and each of these does the same.
9


It is obvious that physical reality can only be a Spherical Standing Wave, because if you study Sound (or vibration or energy: the source of everything in existence) and Sacred Geometry (the segmented blueprints of energy; the mathematical formula of creation 2) you will come to realize that the vibratory infrastructure of energy pathways follows geometric patterns. 10 Form is the shape of frequency. 4
Spherical Standing Wave



SACRED GEOMETRY REPRESENTS THREE DIMENSIONAL NONLINEAR STANDING WAVES.

Sacred Geometry manifests in three dimensional space as seemingly static structures because these structures are the harmonic result of spherical standing waves' interference patterns in three dimensions. So, in order to properly understand Sacred Geometry we have to know what standing waves really are, what harmonics really mean and how they behave in three dimensions.

Unfortunately, the current Western view of acoustics and music is a rigid system of indoctrination based on historical prejudice, inherited creeds, unquestioned values, stiff dogma and cultural hypnosis. None of it works: the physics describe an incomplete, two dimensional projection of a three dimensional movement, and the music is the embodyment of dissonance and discord because the tuning system is tempered, that is, artificially created.

All we (think we) know about music comes from the last 5000 years or so, from one ancient system of tuning, a spiraling scale of tones based on successive iterations of the interval between the second and third harmonics, often referred to as "cyclic". In order to form a clear picture of what music really is in its undistorted, uninterpreted version, we need to suspend that entire period and quit defining music as "the" system perfected by Bach, found in the sky by Kepler, imposed by the Catholic Church, re-discovered and used by Pythagoras, hidden in the Ṛg Vedas, which initially appeared in Mesopotamia, and was carried on by the Babylonians which inherited it from the Sumerians.

Fortunately, the Truth can stay no longer hidden and is constantly choosing new ways and individuals through which to manifest itself. This research led to the three dimensional model of linear "standing waves" in acoustic resonators (musical instruments), which is the closest model we can relate to that reflects the universal laws of music.

The internet is oversaturated with "crackpot" theories about truth, reality, frequency, consciousness, and especially of interest here, the link between Sound (Music) and Sacred Geometry. Most people are trapped inside a system of regurgitation, where nobody verifies the "bollocks" being spread around, to the divination of awe-struck unreasoning monkeys who feel the divine touch whenever they encounter something they don't understand, but which sounds cool because is fanciful and New Agey. We are all guilty of this.

Among the most preposterous theories about Sacred Sound and Geometry are those who atribute all geometric shapes and transcedental numbers to a single frequency expressed in Hertz. Others say that Music and the whole musical system comes from transcedental numbers, when in fact the opposite is true. By this I specifically refer to the "music based on the Golden Section" delusion. Nevertheless, none of these abberant theories can be proved. The authors/regurgitators have no working model, and none of them can prove their claims.

The What Music Really İs model aknowledges three dimensional "standing waves" as the underlying phenomenon behind physical existence. The primordial mathematics of creation is given by the Harmonic Series: that one universal constant consisting of two reciprocal sequences of integer numbers where each is the inversion of the other 1, 2, 3, ... and so on, and its mirror-set.

Mathematically, the Harmonic Series is the formula for the natural laws of relationships. These relationships are strictly based on integer values and/or fractions of integer values (harmonic) from which transcendental numbers like Tau (=2*Pi) (energy shape) and Phi (scalar scale of intensity) are born. This can be proven mathematically: visually through geometry and numerically through formulas and calculus.

Musically, the harmonic series is nature’s single perfect tuning system. Most of the cultural tunings currently employed over the world were developed according to man's limited intellect and his decrepit egoic mind. Many are based on the true harmonic series and represent a distant slice of it with irregularly missing members. Others, like equal temperament, are totally artificial despite any attempt to make them seem as an extension of natural harmonics.

For the first time in millennia, here it is: THE HARMONIC SERIES AS LINEAR "STANDING WAVES" IN THREE DIMENSIONS. The single step needed to finish this study and reveal the true connection between Sacred Geometry and Sound (besides completeing the model presented below) is programming another model, that will show the geometry of nonlinear harmonic "standing waves" in three dimensions.



Are you a talented programmer passionate about physics and music?
Consider helping completing the interactive model from the video above
by programing in Wolfram Mathematica — or even better,
using only HTML5 SVG, CSS & JavaScript.


Contact me


We're being told that "standing waves" are produced by the superposition of "waves" traveling to the right and left, reflecting back and forth between two fixed points, interfering with each other. That is not how sound really behaves in three dimensions; what we're being taught is a two dimensional projection of a three dimensional phenomena.

A "traveling wave" or "sine wave" is just an optical illusion of circular motion and is actually the side view of a spinning helix.

A "standing wave" is just an optical illusion of a body appearing to oscillate up and down, which in reality goes round just like a jump-rope, and is the result of simple addition of two components. These two spinning helices TRAVEL IN OPPOSITE DIRECTIONS, while SPINNING IN THE SAME DIRECTION around the green axis.

The addition of multiple spinning harmonics results in a beautiful and complex rotating vortex - not shown here.

1. Vesica - Institute for Holistic Studies
Sacred Geometry

2. Jon DePew - from multiple sources
Physics Past Papers / CoralCastleCode: Summary Part 1 (YouTube)
Coral Castle Code - coralcastlecode.com

3. Juliet & Jiva Carter -
The Template - A Holonomic Model of Transcendence:
The Sacred Geometry of The Template
The Creation Waveforms of Electricity and Magnetism

4. Juliet Carter -
"The Template & The Sound of Time" DVD Booklet
Worldbridger Phi-sonic Resonance


5. THE CONNECTED UNIVERSE film trailer
based on Nassim Haramein's physics paper
"Quantum Gravity and the Holographic Mass"


6. All of Creation Is Moving Light
sacred-geometry.com

7. Hazrat Inayat Khan (1882 - 1927)
The Mysticism of Sound and Music [1996]

8. Geoff Haselhurst -
On Truth and Reality - The Wave Structure of Matter

9. Ray Tomes - The Harmonics Theory

10. Juliet Carter -
Transcript of Template DVD Intro, Part 1

Why Pi is wrong: Tau Manifesto




For more information about ‘sacred’ geometry see http://nexusilluminati.blogspot.com/search/label/sacred%20geometry
- Scroll down through ‘Older Posts’ at the end of each section


Hope you like this not for profit site -
It takes hours of work every day by a genuinely incapacitated invalid to maintain, write, edit, research, illustrate and publish this website from a tiny cabin in a remote forest
Like what we do? Please give anything you can -  
Contribute any amount and receive at least one New Illuminati eBook!
(You can use a card securely if you don’t use Paypal)
Please click below -



Spare Bitcoin change?


Video – https://youtu.be/Z7B2NZ86dpA
Xtra image - http://omnithought.org/blog/wp-content/uploads/2016/01/sacred-geometry-window-300x183.jpg 


For further enlightening information enter a word or phrase into the random synchronistic search box @ the top left of http://nexusilluminati.blogspot.com


And see


 New Illuminati on Facebook - https://www.facebook.com/the.new.illuminati

New Illuminati Youtube Channel -  https://www.youtube.com/user/newilluminati/playlists

New Illuminati’s OWN Youtube Videos -  
New Illuminati on Google+ @ For New Illuminati posts - https://plus.google.com/u/0/+RamAyana0/posts

New Illuminati on Twitter @ www.twitter.com/new_illuminati


New Illuminations –Art(icles) by R. Ayana @ http://newilluminations.blogspot.com

The Her(m)etic Hermit - http://hermetic.blog.com



DISGRUNTLED SITE ADMINS PLEASE NOTE –
We provide a live link to your original material on your site (and links via social networking services) - which raises your ranking on search engines and helps spread your info further!

This site is published under Creative Commons (Attribution) CopyRIGHT (unless an individual article or other item is declared otherwise by the copyright holder). Reproduction for non-profit use is permitted & encouraged - if you give attribution to the work & author and include all links in the original (along with this or a similar notice).

Feel free to make non-commercial hard (printed) or software copies or mirror sites - you never know how long something will stay glued to the web – but remember attribution!

If you like what you see, please send a donation (no amount is too small or too large) or leave a comment – and thanks for reading this far…

Live long and prosper! Together we can create the best of all possible worlds…


From the New Illuminati – http://nexusilluminati.blogspot.com

Monday, 21 March 2011

Sacred Geometry: All of Creation is Moving Lights


Sacred Geometry
All of Creation is Moving Lights


Sacred Geometry is the blueprint of Creation and the genesis of all form. It is an ancient science that explores and explains the energy patterns that create and unify all things and reveals the precise way that the energy of Creation organizes itself. On every scale, every natural pattern of growth or movement conforms inevitably to one or more geometric shapes.

As you enter the world of Sacred Geometry you begin to see as never before the wonderfully patterned beauty of Creation.  The molecules of our DNA, the cornea of our eye, snow flakes, pine cones, flower petals, diamond crystals, the branching of trees, a nautilus shell, the star we spin around, the galaxy we spiral within, the air we breathe, and all life forms as we know them emerge out of timeless geometric codes. Viewing and contemplating these codes allow us to gaze directly at the lines on the face of deep wisdom and offers up a glimpse into the inner workings of the Universal Mind and the Universe itself.

The ancients believed that the experience of Sacred Geometry was essential to the education of the soul. They knew that these patterns and codes were symbolic of our own inner realm and the subtle structure of awareness. To them the “sacred” had particular significance involving consciousness and the profound mystery of awareness… the ultimate sacred wonder. Sacred Geometry takes on another whole level of significance when grounded in the experience of self-awareness.

The Platonic Solids


Tetrahedron     Hexahedron  Octahedron      Dodecahedron   Icosahedron

As far back as Greek Mystery schools 2500 years ago, we as a species were taught that there are five perfect 3-dimensional forms -The tetrahedron, hexahedron, octahedron, dodecahedron, and icosahedron. Collectively these are known as The Platonic Solids -- and are the foundation of everything in the physical world. Modern scholars ridiculed this idea until the 1980's, when Professor Robert Moon at the University of Chicago demonstrated that the entire Periodic Table of Elements -- literally everything in the physical world -- is based on these same five forms! In fact, throughout modern Physics, Chemistry, and Biology, the sacred geometric patterns of creation are being rediscovered, but often without the greater context of spiritual understanding which protects against their misuse. One of our intentions with lightSource, is to provide a bridge to an intuitive spiritual understanding that is in alignment with the appropriate use of this knowledge.

Sacred Geometry  

Geometric shapes actually represent the manifest stages
of 'becoming'. To see and work with unity and wholeness in geometry can help abolish our false notion of separateness from nature and from each other. Through Sacred Geometry we can discover the inherent proportion, balance and harmony that exists in any situation, all manifest reality and even the circumstances of our day-to-day life.
It was Marcel Proust who said, “ The real voyage of discovery consists not in seeking new lands but seeing with new eyes.” 

The Energy in Action

Leonardo Fibonacci was an Italian mathematician who introduced to Europe and popularized the Hindu-Arabic number system (also called the decimal system). He contributed greatly to number theory, and during his life published many important texts. He is also known for the Fibonacci Series, a numerical series found frequently in the natural world.

The Fibonacci sequence is generated by adding the previous two numbers in the list together to form the next and so on and so on.(1, 2, 3, 5, 8, 13, 21, 34, 55...). Divide any number in the Fibonacci sequence by the one before it, for example 55/34, or 21/13, and the answer is always close to 1.61803. This is known as the Golden Ratio.
 

One of the most profound and significant activities encompassed within sacred geometry and lightSource is the 'Golden Mean Spiral', derived by using the 'Golden Ratio'.

Golden Ratio Spiral


The Golden Mean was used in the design of sacred buildings in ancient architecture to produce spiritual energy that facilitated connectivity with spiritual realms through prayer. Our reality is very structured, and indeed Life is even more structured. This is reflected though Nature in the form of geometry. Geometry is the very basis of our reality, and hence we live in a coherent world governed by unseen laws. These are always manifested in our world.  The Golden Mean governs the proportion of our world and it can be found even in the most seemingly proportion-less (active) living forms.

Clear examples of Sacred Geometry (and Golden Mean geometry) in Nature and matter:

All types of crystals, natural and cultured.  
The hexagonal geometry of snowflakes.
Creatures exhibiting logarithmic spiral patterns: e.g. snails and various shell fish.
Birds and flying insects, exhibiting clear Golden Mean proportions in bodies & wings.
The way in which lightning forms branches.
The way in which rivers branch.
The geometric molecular and atomic patterns that all solid metals exhibit.
The way in which a tree spans out so that all its branches receive sunlight.

Davinci's Golden MeanAnother, perhaps less obvious but most significant example of this special ratio can be found in Deoxyribonucleic Acid (DNA) - the foundation and guiding mechanism of all living organisms.

The understanding of geometry as an underlying part of our existence is nothing new. The Golden Mean and other forms of geometry can be seen imbedded in many of the ancient monuments that still exist today.  The Great Pyramid (the oldest of these structures) at Giza is a good example. The height of this pyramid is in Phi ratio (e.g. the Golden Mean Ratio) to its base. In fact, the geometry in this particular structure is far more accurate than that found in any of today's modern buildings.
This explains why popular among spiritually significant shapes are pyramids and hemispheres (e.g. the domes, that are the basis of religious buildings, be it a mosque, a church or a synagogue). These particular shapes are energy emitters; they are shapes that produce a type of penetrating carrier wave which Chaumery and De Belizal named negative green (which acts as carrier-like radio waves that carry sound information). The vibrational quality of the Golden Mean gives it very strong communication properties, which facilitate resonance with higher realms in prayer.
We live in the 3rd dimension, or the 'Plane of Manifestation'. The Golden Mean is an intra-dimensional doorway though which matter emerges into manifest 3-dimensional reality. For example, when a star is born it follows specific number sequences or universal rules, the same rules of life in the expansion process. Then we see the light!
Thus the Golden Mean is the "fingerprint" of creation. When we re-create this moving and always expanding sequence, we have in effect - 'the exact movement of creation  in the expansion process'.  When lightSource is playing, one is encountering and literally being bathed inthis 'Golden Ratio' creation activity...undeniably one of the most harmonious, balancing experiences one can interact with.

The Magic of Geometry

Bio-Geometry is a science that deals with the effect of geometrical shapes on life functions and the design of shapes that interact with earth's energy fields, to produce special pre-calculated effects on biological systems.

It was developed by Dr lbraham F. Karim D.Sc. in Cairo, Egypt, who has been conducting research in these disciplines since 1968. The tools necessary for the measurement of the energy of geometrical shapes are based on the science of Microvibrational Physics, or Physical Radiesthesia, as it was named by the French radiesthesists, Chaumery and De Belizal around the years 1930-1940, (and later developed by Dr. Karim). 

Research in Bio-Geometry was, and still is, mainly dedicated to the development of a new form of architecture that would enhance the human biological system and give a new meaning to the concept of Home.

To upgrade the energy quality of existing homes so as to cancel the potentially harmful effects of unchecked energy fields due to the architectural design, furniture layout, electrical wiring and modem appliances, specially designed decorative elements are strategically placed to neutralize negative energy and add a positive quality to it.

Bio-Geometrical shapes, when designed or engraved on jewelry, have shown positive effects on the body's energy field, and reduce the potential health hazards caused by cellular phones, computers and other modern appliances.

In many ways the science and metaphysical discipline of Bio-Geometry provides one of the underpinnings to support what many know today as Feng Shui.

Higher Harmonics Within The Golden Mean:
The Magic of Geometry and Color

A revival of the ancient design criteria, or canons, in moderm architecture was attempted by the Swiss pioneer of the modem architecture Le Corbusier, with his "modular" system which comprised two scales of dimensions based on the Golden Ratio. The Russian researcher, Scariatin, who wrote under the pseudonym of Enel and published his first books on radiesthesia in Egypt in the forties, was the first to discover that one aspect of the negative green vibrational quality was an integral part of spiritual energy fields and increased with the spiritual evolution of the person.

Inspired by Scariatin's work, Dr. lbraham F. Karim has done extensive research and found that Bio-Geometrical shapes have three primary vibrational qualities: (1) negative green, (2) a higher harmonic of ultra-violet, and (3) a higher harmonic of gold.  Only shapes which produce energy fields with all three components are Bio-Geometrical…
The Visible Spectrum


The Final Element …You!

You are the unexpected magical element
– the creative alchemist, mixing geometries, palettes and sound with the surprising and ever revealing artistry of your own consciousness. 

By trusting the “hidden reserves” of your own mind, emotions and soul to creatively guide your experience here, you will receive that which is uniquely appropriate for you at any given time…

Meditation and the Use of Breath

Meditation is a skill that has been practiced since ancient times. It involves the relaxation of your body, mind, and emotions as a way to free your consciousness for clear, concentrated focus on whatever you choose.

Although most approaches to meditation are done with the eyes closed and a quiet environment, it is also useful to employ both sight and sound in order to achieve specific purposes, such as deep experiencing of sacred geometric forms. The thirteenth form, Sri Yantra, has been used for centuries in this way, with the meditator chanting the sacred syllable OM while gazing steadily at the form.  

Click on the image above to see how a Sri Yantra is drawn

Demonstration: The Power of “Breathing Through” in Meditation

As a way to demonstrate the power of meditatively using the breath, here is an experiment for you to try: 

1.   Hold both hands up in front of you and quietly feel both of them.  Do they feel much the same, or different?  (We expect that for practical purposes they feel the same.)
2.   Now, with your eyes lowered or closed, with each breath you take; imagine that you are breathing through the palm of only one of them.  (For a more pronounced experience breathe through your non-dominant hand.)  Do this for five complete breaths, in and out.
3.  Now hold your hands up in front of you again, and quietly feel both of them.  Do they feel much the same, or different?

The difference that you probably feel between your hands is the result of having done a brief “breathing meditation” on your hand.   It is indicative of the gentle increase in energy that can occur by meditatively breathing through the thirteen sacred geometries, contained in lightSource.

How to Use the Sacred Geometries with Meditation

Once you have learned the basic process of systematically relaxing and energizing your body, mind and emotions you are ready to begin doing specific meditations on the thirteen sacred geometric forms in lightSource.
1.  Choose a geometry to focus on:

-- A single geometry (for your first time we suggest the first of the series: Torus, due to its power to center and focus one’s consciousness.)
-- A series of geometries either programmed or in a random sequence.


2.  Choose music to use: 

-- Any Monroe Institute Hemi-Sync track would be perfect
-- Classical music such as Vivaldi, Mozart or Bach
-- A recording of singing Tibetan quartz bowls or bells
-- Recorded nature sounds
-- Shamanic drumming and/or chanting
-- Any instrumental track


You’ll be amazed at how the animated geometries seem to magically synchronize with absolutely any type of music. Have fun, experiment and try all your favorites. And remember…if you want to maximize the effects, breathe through the forms as you watch them. 
 

Bibliography
Sacred Geometry Design Sourcebook, by Bruce Rawles (Eagle Point, Oregon: Elysian Pub.,1997). Brilliant Bruce and his wonderful large-format book was an essential source and prime inspiration for lightSOURCE. And still is.
A Beginner’s Guide to Constructing the Universe: The Mathematical Archetypes of Nature, Art and Science—A Voyage from 1 to 10, by Michael S. Schneider (New York: Harper Collins, 1994).
The Ancient Secret of the Flower of Life: An edited transcript of the Flower of Life Workshop presented live to Mother Earth from 1985 to 1994, Vol. I and Vol. II, by Drunvalo Melchizedek, realized by Live Cherish.  (Flagstaff: Light Technology Pub., 2000).
Sedona: Beyond the Vortex: The Ultimate Journey To Your Personal Place of Power, by Richard Danneley Sedona, AZ: The Vortex Society, 1995 ).
_________________________________________________________
lightSource was independently verified by Dr. Robert J. Gilbert, scientist and author of:
·        The Seven Keys to Creation: Sacred Geometry and the Patterns of Life
·        Sacred Geometry and the Initiation Secrets of the Great Spiritual School
·        Egyptian and European Energy Work, Volume 1: Essential Knowledge
·        Egyptian and European Energy Work,  Volume 2: Methods and Tools
Dr. Robert J. Gilbert has a multi-faceted background in both spiritual and scientific studies. He is a former U.S. Marine Corps Instructor in Nuclear-Biological-Chemical Warfare Survival; since leaving the service in 1985 he has conducted independent research into the Geometric basis of modern science and new technologies. Dr. Gilbert is also a Rosicrucian with more than 20 years of experience in Sacred Geometry and its hidden uses by the world's great spiritual traditions. His non-sectarian approach is inclusive of individuals from all spiritual traditions. Dr. Gilbert holds a Ph.D. in International Studies and is a published academic author in that field, contributing to the first academic textbook in the new field of Transformational Politics.

In 1997 Dr. Gilbert began for the first time to teach publicly the results of his two decades of intensive research. Today he teaches both publicly and privately in Asheville, NC. Dr. Gilbert also offers a small number of his VESICA series of special seminars throughout the United States every year. His recent speaking engagements include the keynote address to the American Society of Dowsers, guest speaker for the international Holographic Repatterning Association conference, and the Labyrinth Society Meeting. Website:  http://www.vesica.org/. We present an article he wrote, "Ancient Knowledge and Modern Science" for the June-August 2006 issue of SHIFT Magazine, published by the Institute of Noetic Sciences.


Animated gifs of the Platonic Solids Copyright © 1999, 2000 by - and with kind gratitude to  -  Rüdiger Appel,  All rights reserved.


For further enlightenment enter a word or phrase into the search box @  New Illuminati:

or http://newilluminati.blog-city.com  (this one only works with Firefox)

And see

The Her(m)etic Hermit - http://hermetic.blog.com
 http://newilluminati.blog-city.com (this one only works with Firefox)


This material is published under Creative Commons Copyright (unless an individual item is declared otherwise by copyright holder) – reproduction for non-profit use is permitted & encouraged, if you give attribution to the work & author - and please include a (preferably active) link to the original along with this notice. Feel free to make non-commercial hard (printed) or software copies or mirror sites - you never know how long something will stay glued to the web – but remember attribution! If you like what you see, please send a tiny donation or leave a comment – and thanks for reading this far…

From the New Illuminati – http://nexusilluminati.blogspot.com