new illuminati: antediluvian civilisations

Showing posts with label antediluvian civilisations. Show all posts

Wednesday, 19 September 2012

Ancient Builders Created Monumental Structures that Altered Sound and Mind

Hal Saflieni Hypogeum on the island of Malta

The results of recent research suggests that ancient, or prehistoric, builders of the monumental structures found in such diverse places as Ireland, Malta, southern Turkey and Peru all have a peculiarly common characteristic — they may have been specially designed to conduct and manipulate sound to produce certain sensory effects.

Beginning in 2008, a recent and ongoing study of the massive 6,000-year-old stone structure complex known as the Hal Saflieni Hypogeum on the island of Malta, for example, is producing some revelatory results. Like its related prehistoric temple structures on Malta, this structure features central corridors and curved chambers. But this structure is unique in that it is subterranean, created through the removal of an estimated 2,000 tons of stone carved out with stone hammers and antler picks. Low voices within its walls create eerie, reverberating echoes, and a sound made or words spoken in certain places can be clearly heard throughout all of its three levels. Now, scientists are suggesting that certain sound vibration frequencies created when sound is emitted within its walls are actually altering human brain functions of those within earshot.

“Regional brain activity in a number of healthy volunteers was monitored by EEG through exposure to different sound vibration frequencies,” reports Malta temple expert Linda Eneix of the Old Temples Study Foundation, “The findings indicated that at 110 Hz the patterns of activity over the prefrontal cortex abruptly shifted, resulting in a relative deactivation of the language center and a temporary shifting from left to right-sided dominance related to emotional processing and creativity. This shifting did not occur at 90 Hz or 130 Hz…

In addition to stimulating their more creative sides, it appears that an atmosphere of resonant sound in the frequency of 110 or 111 Hz would have been “switching on” an area of the brain that bio-behavioral scientists believe relates to mood, empathy and social behavior. Deliberately or not, the people who spent time in such an environment under conditions that may have included a low male voice — in ritual chanting or even simple communication — were exposing themselves to vibrations that may have actually impacted their thinking.” [1]

Researchers at the University of Malta are confirming the findings in an ongoing study.

Inside Malta’s Hal-Saflieni Hypogeum. Courtesy Old Temples Study Foundation

But the Hypogeum is not alone in its peculiar sound effects. A study conducted in 1994 by a consortium from Princeton University found that acoustic behavior in ancient chambers at megalithic sites such as Newgrange in Ireland and Wayland’s Smithy in England was characterized by a strong sustained resonance, or “standing wave” in a frequency range between 90 Hz and 120 Hz. ”When this happens,” says Eneix, “what we hear becomes distorted, eerie. The exact pitch for this behavior varies with the dimensions of the room and the quality of the stone.”

Going further back in time, she points to the ancient 10,000 B.C. site of Göbekli Tepe in southern Turkey. Built by hunter-gatherers, the site is thought by many scientists to be located in the area transitional to the first development of agriculture and domesticated livestock. Located on a hilltop, it consists of 20 round stone-built structures which had been buried.

Those structures that have been excavated feature massive, T-shaped, standing limestone pillars. “In the center of a circular shrine,” she says, “a limestone pillar “sings” when smacked with the flat of the hand. Obviously made to represent a human with a decorated belt and hands carved in relief at its waist, it bears unexplained symbols in the area of the throat.” [1]

The site of Göbekli Tepe. Courtesy Old Temples Study Foundation

And now, new findings of a recent archaeoacoustic study suggests that the ancients of the 3,000-year-old Andean ceremonial center at Chavín de Huántar, in the central highlands of Peru, practiced a fine art and science of manipulating sound with architecture to produce desired sensory effects. With the assistance of architectural form and placement, and sounds emitted from conch-shell trumpets, the “oracle” of Chavín de Huántar ”spoke” to the ancient center’s listeners.

Says Miriam Kolar, Stanford Interdisciplinary Graduate Fellow, PhD Candidate  at Stanford University and leader of the study:   ”At Chavín, we have discovered acoustic evidence for selective sound transmission between the site’s Lanzon monolith and the Circular Plaza: an architectural acoustic filter system that favors sound frequencies of the Chavín pututus [conch-shell trumpets] and human voice.” [2]

The Lanzon is a sacred statue or stela depicting the central deity of the ancient Chavín culture. Thought to be Chavin’s central “oracle” for its inhabitants, it is housed in a chamber, part of a series of underground passages within the Old Temple of the ceremonial and religious center of Chavín de Huántar. A central duct was built to connect the area of the Lanzon monolith with that of the Circular Plaza, an open-air place of ceremonial activity and significance. The duct was specifically designed to filter and magnify or conduct to a certain sound range — namely, the special range emitted by the Chavín pututu instrument.

The specific reasons for this acoustical configuration are not entirely understood, but studies involving human participants within the ancient architectural and artifact context of the site are indicating that the resultant sound effects may have been related to intentional auditory perceptual effects of sound and space on humans.

So what does all of this mean? What explains these similar, yet geographically and culturally disparate finds?

“How curious that such varied ancient structures, separated by so much time and distance, should have common features which imply sophisticated knowledge”, observes Eneix. “Did the architects of the day each make and develop their own discoveries or did they inherit a concept from some older school of learning? Adding the time element to other fields of comparison suggests human trail-blazing of monumental proportion.” [1]

A detailed article about the acoustical qualities of prehistoric ancient architecture is published in the March 2012 issue of Popular Archaeology Magazine, and a live illustrated presentation on the implications of acoustics in the creation of megalithic structures is in production. More information about the lecture, “Sound and the Onset of Building Monumentally” is available from The OTS Foundation.

More information about the temples of Malta and Gozo can be obtained by going to: www.otsf.org and www.ancientmed.org

Article Sources

http://popular-archaeology.com

[1] Linda Eneix, The Ancient Architects of Sound, Popular Archaeology Magazine, Vol. 6, March 2012. http://popular-archaeology.com

[2] Magic Sounds of Peru’s Ancient Chavín de Huántar, Popular Archaeology Magazine, Vol. 5, December 2011. http://popular-archaeology.com

For more information about harmonic resonance see http://nexusilluminati.blogspot.com/search/label/harmonics

Help This Unique Independent Site Survive

Donate any amount and receive at least one New Illuminati eBook!

Just click in the jar -

For further enlightening information enter a word or phrase into the search box @ New Illuminati or click on any label/tag at the bottom of the page @ http://nexusilluminati.blogspot.com

And see

New Illuminati – http://nexusilluminati.blogspot.com

New Illuminati on Facebook - https://www.facebook.com/the.new.illuminati

New Illuminati Youtube Channel - http://www.youtube.com/user/newilluminati/feed

The Her(m)etic Hermit - http://hermetic.blog.com

The Prince of Centraxis - http://centraxis.blogspot.com (Be Aware! This link leads to implicate & xplicit concepts & images!)

This site is published under Creative Commons Fair Use Copyright (unless an individual item is declared otherwise by copyright holder) – reproduction for non-profit use is permitted & encouraged, if you give attribution to the work & author - and please include a (preferably active) link to the original along with this notice. Feel free to make non-commercial hard (printed) or software copies or mirror sites - you never know how long something will stay glued to the web – but remember attribution! If you like what you see, please send a small but heartfelt donation or leave a comment – and thanks for reading this far…

Live long and prosper!

From the New Illuminati – http://nexusilluminati.blogspot.com

Saturday, 8 September 2012

The Pyramid Pump: How the Great Pyramid functioned as a Water Pump

The Pyramid Pump

How the Great Pyramid functioned as a Water Pump

Below is a greatly simplified animated diagram and explanation of how the Great Pyramid pumped water. The position of the upper diagonal has been reversed to better clarify how the pump works. However, the shape of the Pyramid will not permit such an arrangement of the various mechanical elements. There are a great many refinements and complexities that will not be address in this short and abbreviated explanation.

The lower diagram is an image map that will direct you to areas of interest. From there you will find information of greater detail and depth of the function of each pump component. There is also a very helpful FAQ Page that answers specific and general questions about this material.

Take a moment and watch the action of the pump. It is very unique and deserves a little time to get a feeling for how each part relates to the rest of the pump. Below is an image that divides the pump into its components.

Although the Great Pyramid is a pump, it doesn't look or operate like any pump people are familiar with. This pump is powered by FIRE. This fire is located at the top of the Grand Gallery. There is still a very distinct aerodynamically shaped soot patter indicating the location of this fire. The combustion of fire creates a partial vacuum in the upper area of the airtight Grand Gallery. The result of this partial vacuum is water is raised up the Grand Gallery. The fire does not "go out" during each cycle. When the oxygen in the upper part of the Grand Gallery is consumed, the fire smolders until the next cycle is started.

At the same time the air in the subterranean chamber has been greatly compressed by the water traveling down the descending passage. The check valve in the top of the descending passage closes when the air in the subterranean chamber is compressed to the maximum. Then the compressed air pushes water through the "Jet," and the lateral connection. This action pushes water up, thereby pushing up underneath on the water in the Grand Gallery. This force pushing up on the water in the Grand Gallery is somewhat similar to the workings of a hydraulic ram pump but on a gigantic scale!

The above two forces move the water up the Grand Gallery!

After the water has risen in the Grand Gallery, the vacuum release valve, (located at the top of the Grand Gallery by the fire) is opened, releasing the partial vacuum created by the fire. This allows fresh air to be introduced into the area above the water and causes the water to move down the Grand Gallery. This repeated cycle of raising and lower this ponderous column of water is analogous to the movement of a piston back and forth in a cylinder!

The opening of the vacuum release valve at the top of the Grand Gallery starts the downward cycle.

When the vacuum valve is opened, the partial vacuum created by the fire is replaced by fresh air and the water starts to move back down the Grand Gallery. The normally closed check valve in the antechamber is opened and the check valve just below the Grand Gallery is closed. This moving ponderous column of water lowers and is directed into the "Queen's Chamber." This movement of water compresses the air in the upper part of the Queen's Chamber. The compressed air stores energy that is use to push water up into the King's Chamber. This action compresses air in the upper part of the King's Chamber and water is pushed out of the pump through the vents. The antechamber valve shuts.

The highly compressed air in the upper part of the Queen's Chamber forces water up into the King's Chamber. The discharge tubes in the King's Chamber are located in the wall about 5 feet high. Above that, air is compressed by the water coming from the Queen's Chamber. This compressed air in this secondary chamber forces the water out the discharge tubes.

The use of highly compressed air is the force used to move water above the column of water in the Grand Gallery.

The animation shows the water exiting the pump in a pulsating manner. In reality, the stored energy in the form of compressed air allows the water output from the pump to be constant. The Queen's compression chamber supplies the King's compression chamber; which discharges water, to the outside. In the Pyramid pump, the lower diagonal holds 88 tons of water; while the upper diagonal has a capacity of 300 tons of water. The pump itself when full, holds about 600 tons of water. Modern hydraulic engineers, have a long way to go, to catch up with the Ancient Engineers.

Select the area you want for more detailed information.

Don't just say that it won't work! The truth is that at one time it did. Some of the information is technical but not incomprehensional. Click on each area and see how it relates to the complete system. Check out the FAQ Page and if you have a question or comment let us know!

The Pharaoh's Pump Foundation is dedicated in both providing availability for the information in the book Pharaoh's Pump and WE ARE GOING TO BUILD A PUMP! The FAQ page has information on this project.

The Secret of the Ages Reveled!

How the Great Pyramid was Built

Based on the information and discoveries of Edward Kunkel

Before the Great Pyramid was built, the site was a granite outcropping or rock or whatever you want to call it. The shape and size of this outcropping before the building of the Great Pyramid is unknown. In the finished pyramid the granite outcropping protrudes up to a height of at least near the bottom of the Queen's Chamber. The site is on a gradual sloping hillside. Uphill form the Great Pyramid is the Libyan Desert.

Almost all agree that the two subterranean shafts and the subterranean room were excavated before the pyramid was built. The simple drawing below shows the state of construction when the subterranean shafts and chamber are completed.

It is the contentionof the Pharaoh'sPump Foundation that the ineffective barriers in the passages were in reality valves of various types. These check valves are described elsewhere in this site. IF the dead end shaft that leads from the Subterranean Chamber is a drain with a valve placed in it, then all the elements of a hydraulic ram pump exists, in gigantic proportions!

Here is what Mr. Kunkel says about this Subterranean area.

The mechanical element needed to make the Subterranean cuttings a water pump is a drain and valve.

The mechanical element? - A dead end shaft, cut in the south-eastern corner of the compression chamber.

It is 52 feet 9 inches long, 2 feet 7 inches wide, and 2 feet, 5 inches high.
Its direction is from true north to south.
Its position is horizontal.
It lies at the lowest corner of the chamber.

Its position suggests that it could be a drain: but it dead ends in the rock. Even though it is 105 feet below the base of the building; it is still high enough from the outside to function as a drain.

Apparently this dead end has never been examined; with the idea in mind, that it may be a drain duct.

In 1954, two sun ships were discovered in the rock hewn cavity at the very southern base of the pyramid.

It is reasonable to assume that the size and shape of this cavity has been surveyed and recorded. But, such data is hard to come by; at least for me.

It would be interesting to examine the north wall, and ascertain the distance from it to the terminus of the dead end. The terminus of the dead end is about 83 feet south of dead center of the building. This leaves a space of about 300 feet to its southern base. In short, I believe there exists a connecting duct, between the dead end, and the sun ship cavity. Explorers might hit pay-dirt; if they take a good hard look, at the end of the dead end, and the north wall of the sun ships crypt.

The cutting of this shaft must have been an awful job. - It is so small. . . . It is only 29 inches high, and 31 inches wide. - There is very little elbow room. - Maybe a midget crew cut it.

I'll never believe that its existence is due to over-sight, or gross error. - I'll never shrug it off, as a miscalculation. I have too much respect for the ancient engineers for that.

Why all the fuss and to do about a hypothetical water duct? If such a duct were discovered; what possible mechanical significance would be interpreted from it? Another question; What if no waste mechanisms were found in the duct?

The answer lies in this simple fact; a waste duct in this particular area, would be definite proof that the engineers had cut a simple water ram in the solid rock.

A simple water ram of monstrous proportions.

A ram, which pumps for more water than it wastes.

My guestimate? At least 40 tons for one ton of wastage to a height of 60 feet; during a time cycle of one minute. Answer; the sun ship cavity itself may be part of it. My line of reasoning follows this pattern. Primarily the cavity was cut for use. After it was no longer needed, the sun ships were installed. Why not decorate it, touch it up a bit, with some regal trappings?

What if no duct were found at all? - I'd say they overlooked a good bet. - My alibi in this case; they learned they didn't need it; which after all, does not make a bit of sense.

I have believed from the very first, that this tube is part of a drain, and that its outlet is sealed, in just as clever a fashion as the ancients managed to conceal other openings. It is utterly fantastic to believe, that the ancient engineers overlooked this common device; a drain that can be opened and closed at will, and thus; employ the same mechanics of the common ram.

During the early stages of construction, the use of a controlled drain would eliminate the need of a fire, to create a vacuum. - Simple ratios indicate, a negligible amount of waste water to the amount pumped; whereas the modern ram wastes more than it pumps. I predict, that one or more baffle walls will be found I the tube, the function of which; is to slow down the high velocity of discharge, and ease the shock exerted on the waste valve.

What will the drain valve look like? - It will be a "door with pivots." We call them butter-fly valves. They are easy to open and close, and are operated by a handle. Pairs of holes with proper seats to fit this type of valve are found in the tube, leading to the upper diagonal. - And none, for a moment doubt, that these seats and holes are for this type of, "door."

A short distance down in the solid rock of the lower diagonal, is a tiny offset, "wherein," says Petrie, "hung a door that swung inward." A pair of eight inch round holes are found here, one in the ease wall and the other in the west wall. Adjacent to these round holes, is granite masonry. Giving this mechanical element an interpretation in hydraulics, is, check-valve. The holes support a round shaft, and the granite masonry is the valve seat.

End of excerpt

The underground cuttings were used as a pump. They were doing what every engineer must do before he undertakes such a project. The machine comes first, and in this case it was a water pump. These subterranean cutting formed a hydraulic ram pump.

Now we will look at:

How the pump was used to BUILD the Great Pyramid!

All of the subterranean passages and subterranean valves are finished and the colossal hydraulic ram is ready to go!

If the hydraulic ram pump pushes water up the central shaft it will be wasted because the water will just flow down the hill side. At this stage parabulious walls were built around the building site. This created a catch basin for the water. Below is a view of the parablious wall in place with the catch basin filled.

Near the base of the Great Pyramid, to this day can be seen “parabolus walls” made of earth, which surrounded the building. The walls form a rectangular basin. It looks like the remains of an ancient catch basin, or reservoir. And the 14 foot vein of river silt, which is found in it, is mighty convincing evidence, that in ancient times, this rectangular enclosure held water, and formed a pond 180 acres in area. And the little rocky knoll, upon which the pyramid stands became a little rocky island.

The engineers had already built a pump. The next step is to build a device to use it, otherwise pumped water would pour down over the sides of the knoll, and be wasted.

Try to envision if you will, the rocky knoll, high above the Nile, before a single block was set. It must have been a bleak, bare, gray mound of limestone. It was not flat. It must be leveled off.

To use the water, it must be caught. The simplest device to catch it is a ditch.

Once a ditch was cut and filled with water, it formed a perfect device for a leveling operation. Water would pour from the ditch at the lowest contour of the rock. This lowest contour determined the elevation of the base.

Five hundred chiselers could be put to work at one time, and whack the base down to a uniform level, P.D.Q. The still water, in the ditch would be their gauge, and simplify surveying operations.

With simple water control devices installed in the ditch, the 16 ton casing stones, these precision cut, beveled beauties, could be floated on a barge with brackets on the side; Brackets not unlike the modern fork lift, and lowered gently into place for a long, long rest.

For countless centuries they have evoked the awe, the admiration, and conjecture of all men. With profound silence, they have cried out through the ages, the glory of a vanished race of artisans, engineers, scientists and kings.

But how did the Ancient Engineers get the blocks up to the site of the Great Pyramid?

At this point in the construction, the base had been leveled using water as a guide. Everything was ready for the first row of casing stones to be set in place. How would YOU bring 16 ton stones from across the river that are already on barges to the site of the Great Pyramid?

Evidence indicates that a series of locks from the Nile to the building site were created to move the stones up from the river to the building site.

These series of water locks brought the first level of casing stones up to the site. The locks worked just as the water locks work in the Panama Canal. The subterranean cuttings which are a colossal hydraulic ram supply the needed water for the locks.

Note about above image: No, it is not to exact scale, it is just a simple computer image to get the ideas of this stage of construction clearer. No, the image is not a perfect representation of the exact placement of every element of this stage of construction but it should help give an idea as to the process of construction. If you are an artist and would like to make a series of illustrations to replace these primitive ones, let me know.

The main thing to see is that the sides of the Great Pyramid "bend inward." Or to put it another way, the sides of the great pyramid have a crease from the apex down to the center of the base of each side. The Great Pyramid of Giza has 8 sides! This is a must because of the hydrostatic pressure of the water inside the pyramid. Each side bends inward against the pressure of the water inside of the pyramid just as a dam like Hoover Dam bends towards the force of the water it holds back. The drawing below also shows this feature of the Great Pyramid.

Below are some excerpts from the book Pharaoh's Pump.

The handling of such huge precision-cut masterpieces, demands absolute control of the handling medium. - This fact is a superlative, MUST. If a rectangular trench were cut inside the casing stone base, so as to form a moat, the base would then resemble, a tow-path alongside a canal. A barge with brackets on the side to carry the block could be floated to location in the moat; then lowered into place by draining the moat. Thus; a 16 ton block could be moved and set; as gently as mother lays a sleeping babe in a crib.

After the ditch was filled, the builders could move stone laden barges freely about in the pool, and go about their Pyramid building in a big way.
The completion of the first course of casing stones formed a rectangular enclosure, in which water could be impounded, and the bottom of the moat became a foundation for the back-up blocks.

Herodotus said: "… they raised the remaining stones to their places by means of machines formed of short wooden planks. The first machine raised them from the ground to the top of the first step, on this there was another machine, which received the stone on its arrival, and conveyed it to the second step, whence a third machine advanced it still higher."

Another translator of Herodotus offers this translation.

"They made it first in the shape of stairs, and lifted up the stones that remained with engines made of short timbers. From the ground they raised them to the first range of stairs; when the stone came up to this, it was set in another engine that stood on the first range, and drawn up from this to the second range; and thence by another engine to the third, for there were as many engines as there were ranges of stairs… or per-adventure there was only one engine . . ."

Here is a variation of the two translations. In the first, the word, "machine" is used, while in the second, the word, "engine." But the gist of the translations are identical.

In modern usage, the words, 'engine' and 'machine' are often used synonymously. - And it may be here, that in the translation of the ancient Greek, the meaning of these two words, are even more closely allied.
For example; The dictionary defines the word, catapult as "an ancient engine of war."

By a physicist's definition, a catapult is not an engine of war, but a machine of war. An engine uses fuel directly to make it go.

More than 100 years ago, Ohio built an elaborate system of canals. Even today, in the vicinity of Akron, century old water-locks are in operation. Nowadays, pleasure craft pass through them. The lock-gates are made of wooden planks about eight feet long, - These locks are truly machines, - They are water elevators. - A floating body can be raised or lowered in them. - They are made of stone, and SHORT WOODEN PLANKS. - I believe that the machines Herodotus described were a series of water-locks.

Elsewhere in the same volume, he tells of seeing an old dry-dock, which was used by King Necos to repair damaged war vessels. Here is the joker. How can anyone build a dry-dock and not use a water-lock? Nix, say I.

Comparatively recent excavations have exposed the cutting of a giant rock-hewn stairway with huge risers, ascending from the basin to the top of the knoll. This cutting has the basic characteristics of the remains of a series of water-locks, although every vestige that would indicate water-locks, is gone.

As they are today, these stairs are too wide to be of practical use as water-locks, but if a wall were built in the center of the steps, thus dividing the stairway in two, the result would be two narrower sets of stairs.

If appropriate masonry were placed in this divided stairway together with pairs of water-gates made of wooden planks, and water pumped into the locks; they would be in business ready to take stone laden barges up one set of locks, while the empties came down through the other. - I believe that this stairway is part of the 60 foot roadway described by Herodotus.

I do not know the exact dimensions of this gigantic stairway hewn in the living rock. I know nothing of the size of the treads, nor the height of the risers.

I saw a picture of this stairway. It was taken from a plane. As I recall, there were four treads and three risers.

A friend of mine, John Woodward, who toured Egypt five years ago, said; that, "the accepted explanation for this cutting was to extract blocks for structural use in the pyramids."

Must I add that I never believed this explanation for a moment, because the cutting is too precise, too neat, and too regular.

If the ancients were quarrying blocks alone, the sides, the treads, and the risers would have been left rough, and uneven. - then too, nearby there is to this day, piles of broken rock which could have come from the cutting of this stairway. - Besides, a lock system is necessary to raise loaded barges from the plane to the base of the Pyramid.

These step-like cuttings have been filled in to make an asphalt roadway. The roadway is approximately 60 feet wide. - We stepped it off. An accurate measurement was impossible due to heavy traffic. I believe it is part of the 60 foot roadway referred to by Herodotus. It enters the basin from the northwest corner. The catch basin has been filled in to make a parking lot.

The catch basin as Herodotus observed is about 100 feet above the flood plain. It is rectangular. Its walls are very steep, made of stone laid up dry, and vine covered. - The walls are not parabolous as shown in Perring's map, dated 1839. Perhaps these stone walls are modern, a sort of a tidying up job.

Please send comments or questions regarding this information to

Pharaoh's Pump Foundation

From Ice Stuff @ http://www.icestuff.com/~energy21/pump.html & http://www.icestuff.com/~energy21/built.html & http://www.icestuff.com/~energy21/built2.html

For more information about the Great Pyramid pump see http://nexusilluminati.blogspot.com.au/2012/01/new-theory-for-great-pyramid.html
and http://nexusilluminati.blogspot.com/search/label/ram%20pump

Please Help This Unique Independent Site to Inform You