"All the World's a Stage We Pass Through" R. Ayana

Showing posts with label yin yang. Show all posts
Showing posts with label yin yang. Show all posts

Friday, 23 December 2016

The Secret of the Golden Flower: Chinese Alchemy


The Secret of the Golden Flower
Chinese Alchemy

 Dreaming Reality by R. Ayana


by Nataša Pantović Nuit

 

symbols and signs: the secret of the golden flower, chinese alchemy
 The ancient science of alchemy still influences the contemporary spiritual theories, and stays shaping the spiritual philosophies of our time. 

The whirlpool of its magic at one point became madness for the alchemists who tried to decipher its secret language of symbols and signs, and for the ones who managed to just bath in the beauty of its images, it stayed full of blessings.  The desire to knock on the door that promises eternal life and eternal youth returns through centuries to haunt the alchemists with their quest to know the lapis philosophorum, the philosopher's stone - the legendary alchemical substance capable of turning base metals into gold.

 

 

 

Chinese Alchemy, Secret of Golden Flower - Merge of Male and Female Energy

 

 

secret of golden flower: buddha and goddessIt is the merge of male and female that fascinates us so much, it is the White Queen and the Black King that unite to give a birth to a child that is perfect and immortal.  It is Taoist Yin and Yang that when circling in perfect harmony create balance and harmony within a Human Being, on Earth and in Universe.

It is Male that is our Collective Consciousness, that is Sun, Reason, Science, Law & Order.

It is Feminine that is symbolised by Moon, or Earth, that is the Ocean of our Collective Sub-Conscious, it is our Dream Consciousness, our shadow existence, trance, dragon and the snake, siren and medusa, that is Life that creates and destroys itself.



Chinese Alchemy Symbols, The Mind as an unusual son of Chaos

 

Mind is symbolised by Mercury, and when Master of its Destiny, his spirit is a hermaphrodite that stands on both: the Sun and the Moon.


Extracts from the Secret of the Golden Flower


In an attempt to further understand this symbolism within our lives we came across an ancient Chinese Alchemy text: The Secret Of The Golden Flower, Tai Yi Jin Hua Zong Zhi 太乙金華宗旨, a Chinese Taoist text about meditation, translated by Walter Picca in 1964.  The following are some extracts from this holy scripture.


symbols and signs: the secret of the golden flower chinese alchemyIt is said that Lao Tzu became one of the Eight Immortals using the methods within this book. The ideas have been traced back to Persia and Zarathustra and the Egyptian Hermetic tradition.

'Master Lao-Tsu said: That which exists through itself is called the Way (Tao). Tao has neither name nor shape.  It is the one essence [Hsing], the one primal spirit. Essence and life cannot be seen...

The Golden Flower is the Light. What colour has the light? One uses the Golden Flower as an image. It is the true power of the transcendent Great One...'


About Gold from the Secret of the Golden Flower

 


'The power of the seed, like Heaven and Earth, is subject to mortality, but the primordial spirit is beyond the polar differences. Here is the place whence Heaven and Earth derive their being. When students understand how to grasp the primordial spirit, they overcome the polar opposites of Light and Darkness and tarry no longer in the three worlds.'


About Duality from the Secret Of The Golden Flower

 

'In the body is the anima. The anima, having produced consciousness, adheres to it. Consciousness depends for its origin on the anima. The anima is feminine, the substance of consciousness. As long as this consciousness is not interrupted, it continues to beget from generation to generation, and the changes of form of the anima and the transformations of substance are unceasing. But, besides this, there is the animus in which the spirit shelters. The animus lives in the daytime in the eyes; at night it houses in the liver. When living in the eyes, it sees; when housing itself in the liver, it dreams.'


About Consciousness from the Secret Of The Golden Flower

 

 

'The one effective, true essence (logos united with life), when it descends into the house of the creative, divides into animus and anima. The animus is in the Heavenly Heart (Mind*). It is of the nature of light; it is the power of lightness and purity. It is that which we have received from the great emptiness, that which has form from the very beginning. The anima partakes of the nature of darkness. It is the power of the heavy and the turbid; it is bound to the bodily, fleshly heart. The animus loves life. The anima seeks death.'


About Anima and Animus from the Secret Of The Golden Flower


Chinese Symbol for Heart and Mind is the same


secret of golden flower lao tzuThe core Chinese concept is Xin that means both Heart and Mind.  This insightful fact shines a wonderful light on any Chinese ancient text and philosophy.  The Mind that represents ideas, cognition, and reason, and Heart that represents desires, and emotions, are coming from the same centre and are directed by the same forces.  The Xin guides both beliefs and desires. It is the Heart, rather than the brain that is responsible for the belief systems.  The Heart is the centre of emotions and desires, or tranquillity and calmness, but also of intellect and understanding.

'Understanding and clarity, knowing and enlightenment, and all motion (of the spirit), are likewise this Light; therefore it is not just something outside the body. The Light-flower of Heaven and earth fills all thousand spaces.'

 

About Light from the Secret Of The Golden Flower

 

 

'The heart / mind* cannot be influenced directly. Therefore the breathing power is used as a handle...

While sitting, one must, therefore, always keep the heart (mind) quiet and the power concentrated. How can the heart (mind) be made quiet? By breathing. The heart (mind) alone must be conscious of the flowing in and out of the breath; it must not be heard with the ears. If it is not heard, then the breathing is light; if light, it is pure. If it can be heard, then the breathing power is heavy; if heavy, then it is troubled; if it is troubled, then laziness and absent-mindedness develop and one wants to sleep...'


About Breathing Exercises from the Secret Of The Golden Flower


'If, when there is quiet, the spirit has continuously and uninterruptedly a sense of great gaiety as if intoxicated or freshly bathed, it is a sign that the Light principle in the whole body is harmonious; then the Golden Flower begins to bud. When, furthermore, all openings are quiet, and the silver moon stands in the middle of Heaven, and one has the feeling that the great earth is a world of light and brilliancy, that is a sign that the body of the heart (mind) opens itself to clarity. It is a sign that the Golden Flower is opening...'


About Meditation from the Secret Of The Golden Flower


'The most important thing in the Great Meaning is the four words: non-action in action. Non-action prevents a person from becoming entangled in form and image (substantiality). Action in non-action prevents a person from sinking into numbing emptiness and a dead nothingness...'


About non-action in action from the Secret Of The Golden Flower


Tantric by R. Ayana'As soon as these two substances meet each other, they unite inseparably, and unceasing life begins; it comes and goes, and rises and falls of itself, in the house of primordial power. One is aware of effulgence and infinity. The whole body feels lighter and would like to fly. This is the state of which it is said: Clouds fill the thousand mountains. Gradually it (life) goes here and there quite quietly; it rises and falls imperceptibly. The pulse stands still and breathing stops. This is the moment of true creative unity, the state of which it is said: The moon gathers up the ten thousand waters. In the midst of this darkness, the Heavenly Heart suddenly begins a movement. This is the return of the one Light, the time when the child comes to life.'



About Merge of Yin and Yang from the Secret Of The Golden Flower
Alchemy of Love Secrets of Meditation Video





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Friday, 5 August 2016

The Taoist View of the Universe


The Taoist View of the Universe
Alan Watts describes the Taoist principles which keep Life in Balance

TaoistViewUniverse-inseperable




At the very roots of Chinese thinking and feeling there lies the principle of polarity, which is not to be confused with the ideas of opposition or conflict. In the metaphors of other cultures, light is at war with darkness, life with death, good with evil, and the positive with the negative, and thus an idealism to cultivate the former and be rid of the latter flourishes throughout much of the world.

To the traditional way of Chinese thinking this is as incomprehensible as an electric current without both positive and negative poles, for polarity is the principle that plus and minus, north and south, are different aspects of one and the same system, and that the disappearance of either one of them would be the disappearance of the system.


Alan Watts
Alan Watts

 

Linear ideology

 

People who have been brought up in the aura of Christian and Hebrew aspirations find this frustrating, because it seems to deny any possibility of progress, an ideal which flows from their linear (as distinct from cyclic) view of time and history. Indeed, the whole enterprise of Western technology is “to make the world a better place” – to have pleasure without pain, wealth without poverty, and health without sickness.

We have been interfering with a complex system of relationships which we do not understand, and the more we study its details, the more it eludes us by revealing still more details to study. As we try to comprehend and control the world it runs away – from us. Instead of chafing at this situation, a Taoist would ask what it means. What is that which always retreats when pursued? Answer: yourself.


Inseperable from self
Taoists view the universe as inseparable from themselves


Idealists (in the moral sense of the word) regard the universe as different and separate from themselves – that is, as a system of external objects which needs to be subjugated.


Taoists view the universe as the same as, or inseparable from, themselves so that Lao-tzu could say, "Without leaving my house, I know the whole universe."



This implies that the art of life is more like navigation than warfare, for what is important is to understand the winds, the tides, the currents, the seasons, and the principles of growth and decay, so that one’s actions may use them and not fight them.


In this sense, the Taoist attitude is not opposed to technology per se. Indeed, the Chuang-tzu writings are full of references to crafts and skills perfected by this very principle of “going with the grain.” The point is therefore that technology is destructive only in the hands of people who do not realize that they are one and the same process as the universe.

 

From progress to process

 

Our overspecialization in conscious attention and linear thinking has led to neglect, or ignore-ance, of the basic principles and rhythms of this process, of which the foremost is polarity.


Male Female
The masculine and the feminine principals


In Chinese the two poles of cosmic energy are yang (positive) and yin (negative), associated with the masculine and the feminine, the firm and the yielding, the strong and the weak, the light and the dark, the rising and the falling, heaven and earth, and they are even recognized in such everyday matters as cooking as the spicy and the bland.

Thus the art of life is not seen as holding to yang and banishing yin, but as keeping the two in balance, because there cannot be one without the other.

When regarding them as the masculine and the feminine, the reference is not so much to male and female individuals as to characteristics which are dominant in, but not confined to, each of the two sexes. The male individual must not neglect his female component, nor the female her male. Thus Lao-tzu says:

Knowing the male but keeping the female, one becomes a universal stream. Becoming a universal stream, one is not separated from eternal virtue.


Male and female unity
Becoming a universal stream


The yang and the yin are principles, not men and women, so that there can be no true relationship between the affectedly tough male and the affectedly flimsy female. The key to the relationship between yang and yin is called hsiang sheng, mutual arising or inseparability. As Lao-tzu puts it:


When everyone knows beauty as beautiful,
there is already ugliness;
When everyone knows good as goodness,
there is already evil.



“To be” and “not to be” arise mutually;
Difficult and easy are mutually realized;
Long and short are mutually contrasted;
High and low are mutually posited;
Before and after are in mutual sequence.


They are thus like the different, but inseparable, sides of a coin, the poles of a magnet, or pulse and interval in any vibration. There is never the ultimate possibility that either one will win over the other, for they are more like lovers wrestling than enemies fighting.


Yin yang water fire
Being and non-being are mutually generative and mutually supportive

 

Being and non-being

 

It is difficult in our logic to see that being and non-being are mutually generative and mutually supportive, for it is the great and imaginary terror of Western man that nothingness will be the permanent universe. We do not easily grasp the point that the void is creative, and that being comes from non-being as sound from silence and light from space.


Thirty spokes unite at the wheel’s hub;
It is the center hole that makes it useful.
Shape clay into a vessel;
It is the space within that makes it useful.
Cut out doors and windows for a room;
It is the holes which make it useful.
Therefore profit comes from what is there;
Usefulness from what is not there.



This space is not “just nothing” as we commonly use that expression, for I cannot get away from the sense that space and my awareness of the universe are the same, and call to mind the words of the Chan (Zen) Patriarch Hui-neng, writing eleven centuries after Lao-tzu:


The capacity of mind is broad and huge, like the vast sky. Do not sit with a mind fixed on emptiness. If you do you will fall into a neutral kind of emptiness. Emptiness includes the sun, moon, stars, and planets, the great earth, mountains and rivers, all trees and grasses, bad men and good men, bad things and good things, heaven and hell; they are all in the midst of emptiness. The emptiness of human nature is also like this.


Bonsai
The somethings and the nothings


Thus the yin-yang principle is that the somethings and the nothings, the ons and the offs, the solids and the spaces, as well as the wakings and the sleepings and the alternations of existing and not existing, are mutually necessary.

Yang and yin are in some ways parallel to the (later) Buddhist view of form and emptiness, of which the Heart Sutra says,


"That which is form is just that which is emptiness and that which is emptiness is just that which is form."


The yin-yang principle is not, therefore, what we would ordinarily call a dualism, but rather an explicit duality expressing an implicit unity.”




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