"All the World's a Stage We Pass Through" R. Ayana

Showing posts with label variable light speed. Show all posts
Showing posts with label variable light speed. Show all posts

Sunday, 17 June 2012

The Science Delusion

The Science Delusion



 

Steve Marshall talks to Rupert Sheldrake about dogma and delusion in contemporary science

 




Millions of people around the world claim personal experience of unexplained phenomena, which can be as simple as ‘knowing’ who is calling them when the telephone rings. Mainstream science can provide no explanation for this, other than dismissing it as mere delusion. Rupert Sheldrake, after many years of investigating telepathy, the unexplained powers of animals and human precognition, believes that he can. Sheldrake claims that his theory of ‘morphic resonance’ not only explains these widespread phenomena, it also shows how simple organic forms can self-organise into more complex ones, as an addition to Darwin’s process of Natural Selection. According to Sheldrake:

“The formation of habits depends on a process called morphic resonance. Similar patterns of activity resonate across space and time with subsequent patterns. This hypothesis applies to all self-organising systems, including atoms, molecules, crystals, cells, plants, animals and animal societies.

All draw upon a collective memory and in turn contribute to it. A growing crystal of copper sulphate, for example, is in resonance with countless previous crystals of copper sulphate, and follows the same habits of crystal organisation, the same lattice structure. A growing oak seedling follows the habits of growth and development of previous oaks. When an orb-web spider starts spinning its web, it follows the habits of countless ancestors, resonating across space and time. The more people who learn a new skill, such as snowboarding, the easier will it be for others to learn it because of morphic resonance from previous snowboarders.”

There is far more to morphic resonance than this, but I’m not the one to explain, as I have to admit I don’t understand all of its many aspects. Sheldrake believes that memories are not stored in the brain but somewhere outside of it; the brain recalls them not as a hard drive does, by playing back physically-stored electrical signals, but more like a television that tunes into transmitted signals and decodes them as memories. It does this by morphic resonance. Here, there are strong similarities with Carl Jung’s theory of the collective unconscious and archetypes.

Jung’s ideas were accepted (if rather half-heartedly) by many scientists of his day; although Sheldrake does get support from some of his peers, it tends to come privately. His explorations into the liminal areas of science are particularly unpopular with dogmatic sceptics, who regard the work as ‘pseudoscience’ and “outside the scope of scientific experiment’.

But Sheldrake, to the chagrin of his detractors, is not just another amateur crackpot but a bona fide scientist – a Cambridge-trained biochemist with a double-first-class honours degree and a doctorate. Before developing his current interest in parapsychology, he led more conventional research programmes and made important discoveries in plant physiology. Criticism of Sheldrake’s work makes fascinating reading, as it reveals so much about his critics. There is a good deal of professional jealousy and resentment that Sheldrake’s research continues to be funded by Cambridge University, and sour grapes because he sells a lot of books. Most commonly, his theories and findings are dismissed because they do not conform to accepted scientific dogma; this has made him a particular target of the materialists. Frequent, vitriolic attacks are not directed just at Sheldrake’s work either; in 2008, he was stabbed in the leg by a Japanese madman who had followed him to the USA, believing that Sheldrake was using mind-control techniques on him (FT236:5).

RS


Sheldrake has borne all of this with uncommon grace and good humour; however, he retaliates with his latest book The Science Delusion, an elegant counter-attack on scientific materialism. As attacks go, it is rather polite and gentlemanly, but effective.

Just before publication, I spoke to Sheldrake about the ideas in the book and his motives for writing it. First, the title, which appears to be a direct swipe at Richard Dawkins. Did Dawkins really inspire this response?

“No,” admits Sheldrake, “the title was at the insistence of my publishers, and the book will be re-titled in the USA as Science Set Free. Dawkins is far less important outside Britain. Actually, he’s not really very important here either – it’s just that the British media find him a convenient figurehead for the tide of evangelical atheism we’ve seen in recent years. Dawkins is a passion-ate believer in materialist dogma, but the book is not a response to him – although I do object to his dumbed-down representation of science.

“I’ve actually been thinking about the ideas in this book for many years, perhaps 30 or 40. Certainly, since I was an undergraduate and realised that something had gone horribly wrong with science. There was no point in dealing with the problem piecemeal: it was essential to look at the whole picture. There were so many assumptions in place and I wanted to open things up, which is what I’ve done by turning the issues into questions.”

The Science Delusion begins by laying out the 10 dogmata of modern science:

Everything is essentially mechanical. Dogs, for example, are complex mechanisms, rather than living organisms with goals of their own. Even people are machines, “lumbering robots”, in Richard Dawkins’s vivid phrase, with brains that are like genetically programmed computers.

All matter is unconscious. It has no inner life or subjectivity or point of view. Even human consciousness is an illusion produced by the material activity of brains.

The total amount of matter and energy is always the same (with the exception of the Big Bang, when all the matter and energy of the Universe suddenly appeared).

The laws of nature are fixed. They are the same today as they were at the beginning, and they will stay the same forever.

Nature is purposeless, and evolution has no goal or direction.

All biological inheritance is material, carried in the genetic material, DNA, and in other material structures.

Minds are inside heads and are nothing but the activities of brains. When you look at a tree, the image of the tree you are seeing is not ‘out there’, where it seems to be, but inside your brain.

Memories are stored as material traces in brains and are wiped out at death.

Unexplained phenomena like telepathy are illusory.

Mechanistic medicine is the only kind that really works.

Each of these is allotted a chapter in the form of a question, and a short list of further related questions addressed directly to materialists. Some are very funny, highlighting the inherent and often silly contradictions in so much accepted dogma. Is Nature Mechanical?, for example, points out that the mechanistic theory was intended to be a metaphor but has come to be taken literally. Living organisms are not automata, a fact that is patently obvious to any cat or dog owner; few readers would regard themselves as a genetically programmed machine in a mechanical Universe. As Sheldrake puts it: “Most of us feel we are truly alive in a living world – at least at weekends.” Two of his questions to materialists are: “Do you think that you yourself are nothing but a complex machine?” and “Have you been programmed to believe in materialism?”




Sheldrake questions many of science’s basic ‘truths’, which are revealed, with splendid irony, to be either assumptions or, heaven forbid, beliefs. That the Universe began with a Big Bang has been orthodoxy since the 1960s, but it is actually a theory, and one that raises as many questions as it provides answers. Sheldrake does not dispute the theory but compares it to religious creation myths, all of which begin with an initial act of creation by God; the Big Bang theory is different only in that God has been removed from the story. One of the basic tenets of physics is the law of conservation of matter and energy, which asserts that neither can be created or destroyed: the amount of matter and energy in the Universe is always the same. Except of course, in the primal singularity of the Big Bang, when the Universe appeared from nothing, violating all of science’s laws. Sheldrake quotes Terence McKenna: “It’s almost as if science said, ‘Give me one free miracle, and from there the entire thing will proceed with a seamless, causal explanation.’”

Most physicists believe that only about four per cent of the mass and energy in the Universe is conventional; the remaining 96 per cent is made up of ‘dark matter’ and ‘dark energy’, about which nothing is known. Gravitation should be slowing down the expansion of the Universe, but observations made in the mid-1990s showed that it is actually speeding up. The continued expansion of the Universe is now believed to be driven by dark energy, which is reckoned to account for 73 per cent of the Universe’s total mass-energy.

In the current model, the amount of dark energy may be increasing, counteracting the gravitational pull that should make the Universe contract, driving its expansion in an apparently continuous process of creation. This should not be possible, but the conservation laws apply only to the four per cent of ‘standard’ matter and energy, not necessarily to the mysterious remaining 96 per cent. In the light of modern cosmology, asks Sheldrake, how can anyone possibly be sure that the total amount of matter and energy has always been the same?

The reliability of another of science’s ‘constants’ is also doubtful: the speed of light may not be as constant as we have been led to believe. “When I investigated this some years ago,” Sheldrake tells me, “I came to realise that although the speed of light is assumed to be constant and precisely known, there is evidence to suggest otherwise. The speed of light is measured regularly, in university laboratories all around the world, and each comes up with slightly different results. The final figure is arrived at by a committee of expert metrologists who average the ‘best’ results and arrive at a consensus. But this is not based on all the results they are supplied with; some are discarded, either because they differ too much from what is expected or because their source is not considered totally reliable.”

Measurement of the speed of light began in the early 20th century. Initially, there were considerable variations, but by 1927 the experts had agreed on an “entirely satisfactory” speed of 299,796km (186,300 miles) per second. The following year, this mysteriously dropped by around 20km (12 miles) per second. The new speed was recorded all around the world, with the ‘best’ values closely matching. This lower speed remained constant from about 1928 to 1945, then in the late 1940s it went back up again. It was suggested by some scientists that this might indicate cyclical variations in the speed of light.

“Now we may never know,” Sheldrake laments, “because the problem was eventually solved by locking the speed of light into a closed loop. The metre is now defined by the speed of light – which is defined in metres. So if the speed of light really does vary in the future, the metre will vary with it, and we shall have no way of telling! I took this up,” he goes on, “with some of the experts. I visited one – he actually had a sign on his door saying Chief Metrologist. When I inquired about the 1928 to 1945 variation he muttered, ‘Oh you know about that, do you?’ He admitted it was a little embarrassing that so many respected scientists had made faulty measurements during that period…

“‘But this is interesting!’ I said. ‘What if there really were variations? Shouldn’t it be investigated?’ He looked at me aghast. ‘Whatever for? The speed of light is a constant!’ The Universal Gravitational Constant also varies,” adds Sheldrake, “but they’re a bit more open about that.”

The constancy of the speed of light is regarded as sacrosanct among physicists. When alleged ‘faster than light’ neutrinos made world news last summer, the celebrated Professor Brian Cox explained the issue in layman’s terms for BBC radio. Adamant that the speed of light is a “universal speed limit” that can never be exceeded, he came up with a neat analogy. If an aeroplane were to travel from London to Australia at this absolute maximum speed, there would be no way of making the journey any faster. Apart from, he added, digging a tunnel through the Earth and taking a shortcut. So you see, declared Cox cheerfully, the neutrinos are not necessarily travelling any faster than light – they may be simply taking a shortcut through another dimension! To a non-physicist, it seems surprising that experts find it easier to accept a universe of multiple dimensions (which is possible, but only theoretical) than to question scientific dogma.

Are memories stored as material traces in the brain? Sheldrake is not alone in concluding that they are not. Since the 1890s, a vast amount of research time and money has been spent on this fascinating question and still no traces have been found. Typically, laboratory animals are taught to perform some task, then parts of their brains are surgically removed; later, they can still remember what they have been taught, despite in some cases having hardly any brain left at all. The animals presumably also learn to distrust humans wearing white coats.

Sheldrake explores the evidence in great detail and puts a very convincing case. One of his arguments against physically-stored memory is that: “Memories can persist for decades, yet the nervous system is dynamic, continually changing, and so are the molecules within it.” So how could memory be stored in the brain so that it is not lost by molecular turnover? Sheldrake cites recent experiments in which cater-pillars were taught to avoid a stimulus. After undergoing two larval moults and metamorphosis within the pupæ, the resultant moths still remembered what they had learned as caterpillars.

Sheldrake maintains that memories are stored somewhere outside of the brain and retrieved by morphic resonance. So could these memories – and perhaps ideas – be accessed by others? I once met the late Bob Moog at a Theremin convention and thanked the Great Man for inventing voltage-controlled synthesisers. To my surprise, he looked slightly embarrassed and shrugged: “Oh, it was no big deal, just an idea that was going around at that time – it was in the air. Lots of other people must have had the same idea, but I was just lucky that I was able to do something with it.” Most creative people have experienced the zeitgeist at some time or other; had Sheldrake, I inquired, ever known any materialist scientists to complain of falling victim to it?

“No,” he laughs. “But I’m probably the last person they’d tell about it anyway! It has happened many times in science though: Newton and Leibniz, for instance, both simultaneously invented Calculus. On the 75th anniversary of Vogue magazine, I was invited to a symposium at Vogue House to talk on morphic resonance and the zeitgeist. There were many people from the fashion world designers, retailers and so on, and some from finance and the stock market. All were convinced there is a zeitgeist and that they had experienced it. Some had suspected they had spies working inside their company, passing ideas onto their rivals! But it’s people accessing a collective memory. I haven’t dealt with creativity at all in this book, but I believe creative people may be tapping into something beyond space and time.

“When I was writing A New Science of Life, I was very aware that others must be working on the same idea, so I’d better get on with it. And sure enough, there were two or three. One of them, Nicholas Greaves, was not a scientist but an estate agent; he just had this idea come into his head and felt he must express it. His version is called ‘Duplication Theory’. We met, and found that both of us had ideas that were very similar.”

In The Science Delusion, Sheldrake reminds us that scientists are, above all else, human, with all the short-comings and foibles of other mere mortals: “They compete for funding and prestige, constrained by peer-group pressures and hemmed in by prejudices and taboos.” This image runs directly counter to that actively promoted by scientists in recent history – one of a totally impartial, dispassionate elite, who can be uniquely relied upon to reveal the exact truth. Sheldrake quotes Ricky Gervais, who naïvely claims that: “Science is humble… It doesn’t get offended when new facts come along.” This popular view of science is aired regularly in the media by other high-profile celebrities. Stephen Fry (“The stupid person’s clever person”) is an enthusiastic devotee of Richard Dawkins, whose supporters, incidentally, include a surprising number of comedians.

Since the Enlightenment of the 18th century, the world of science has professed to operate in “an open-minded spirit of enquiry” but this is rarely true in practice; any modern research programme is under a good deal of pressure to not produce unexpected or unwanted results. Making waves by questioning accepted dogma is simply not on. Rupert Sheldrake may well be correct in his assertion that something fundamental has been ignored by science – it could even be something as important as gravity. But unless science comes to practise the open-mindedness that it preaches, we may never know. As Sheldrake writes:

“In the Enlightenment ideal, science was a path to knowledge that would transform humanity for the better. Science and reason were the vanguard. These were, and still are, wonderful ideals, and they have inspired scientists for generations. They inspire me. I am all in favour of science and reason if they are scient-ific and reasonable. But I am against granting scientists and the materialist worldview an exemption from critical thinking and sceptical investigation. We need an enlightenment of the Enlightenment.”


By Steve Marshall


 

Rupert Sheldrake website: www.sheldrake.org

Nicholas Greaves website: www.mindandmemory.net

The Science Delusion: Freeing the Spirit of Enquiry by Rupert Sheldrake is published by Coronet Books, priced £19.99.

From The Fortean Times @ http://www.forteantimes.com/features/fbi/6421/the_science_delusion.html

For more information by and about Rupert Sheldrake see http://nexusilluminati.blogspot.com/search/label/rupert%20sheldrake


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Monday, 9 August 2010

Time Shift: The Virtual Lattice Matrix and the Music of Spheres

Time Shift
The Virtual Lattice Matrix and the Music of Spheres 
3shape by you.

Time and space shift and warp throughout the cosmos. Their structures follow the underlying delineaments of a virtual matrix, a universal fractal fluid hologram that continuously and instantly resonates with all of its constituent parts in a perpetual flow, always in formation.

The virtual lattice matrix can be visualised as the transmission medium of light. Light does not travel as waves or particles from an emitter; rather, the lattice is vibrated by information emitted from hyperspace. This in-formation generates and carries the local ‘light’ signal through the four dimensional medium of timespace just as waves are transmitted through water molecules (or any other compressible fluid). A field of water molecules all affect each other as they are all effectively adjacent and in contact, their vibrations and movements inextricably interlinked with the entire puddle or ocean that surrounds them. Within the ‘zero point’ virtual field all potential particles are packed solid and ‘empty space’ is chock full of vibrations.

Timespace is filled with virtual vortices – nebulous ‘vorticles’ of twisting timespace, not discrete particles – in a fluid crystal ‘luminiferous aether’. This is the zero-point field. The underlying information field’s transmission frequency within 4D realms (light speed) varies from location to location according to the energy density of the surrounding timespace lattice. The ’speed of light’ is not a fixed value, but varies according to the density of ‘matter’ or energy field through which it propagates.

The local frequency of timespace – and the local propagation speed of light – is determined by the spin rate (and relative diameters) of the vorticles themselves as they are compressed or expanded via the local field density, which is ultimately derived from hyperspatial fields. Light as we perceive it manifests only at the surface of material bodies, where standing waves interrupt and transduce a perpetual flow of multidimensional forms in formation.

Information is continually travelling throughout the cosmos at superluminal speeds but can only be physically viewed or measured using a yardstick made from local material. Light manifests to this yardstick at a specific frequency relative to its own density and that of the field which contains it, whether planetary, stellar or galactic. This yardstick will vary in length depending upon whether we are within the overarching fields of planet Earth, of another planet with differing field density, within the Sun’s atmosphere (the solar bubble which extends far beyond the orbit of Neptune/Pluto) or in interstellar timespace. The relative speed of light varies constantly, as do rates of time in relation to each other across the length and breadth of the lattice fabric.

This is one reason why attempts to date the age of the universe are nonsensical; another is that the relative rate of time flow obviously continually alters as the universe evolves (during periods of rapid expansion for instance) and as timespace infolds and unfolds. Time is another yardstick that varies according to local conditions.

Information only manifests as light at the frequency range at which it can locally appear, within a vast spectrum of other possibilities. At differing frequency and amplitude ranges the same information pouring through hyperspace will unfold as different ‘particles’, such as electrons, in the material realm. The particular form of information’s appearance will be determined by standing waves which ultimately emanate from hyperspatial realms.

This will not be obvious to a viewer within any given local medium; one’s viewpoint and surrounds will always determine the local light speed as being relatively fixed and constant, as any information about an event or field strength outside the local field density will be seen through its occluding lens – and only apprehended at the ‘natural’ speed of light.

Orbital calculations within a solar system will not be substantially affected, except concerning objects passing from one planetary field into another; small differences in local time rates will then be observable as unexpected variations in trajectory and orbital velocity (as viewed from the originating planet). This makes accurate plotting of planetary missions using ballistic technology (rockets) more difficult than would otherwise be supposed – witness the huge number of plotting failures which resulted in all the earliest probes to the Moon and Mars missing the mark entirely, a tally of failures that continued until the true figures for orbital insertion were fudged through a laborious process of trial and error.

The Martian Mariner probe anomalies (whereby the orbital periods of Mars orbiters unaccountably shifted when they first entered the local field of Mars) are explained by the differing local timespace field of matter – at this harmonic band of the overarching standing wave of the Sun, whose nodes beat between our local star and the distant boundary of its heliosphere. This standing wave pattern defines the interval notes of a vibrant chord. It determines where Mars manifests from hyperspace as a discrete planetary body and determines the orbits and characteristics of all other bodies under the direct influence of the Sun.

Photons – the 1926 name for massless relativistic particles – do not exist. Massless information does exist – but not travelling at ‘light speed’. Information travelling though the matrix does so instantaneously, from its own perspective. As it reaches a standing wave (boundary condition) it slows through hyperspatial rotation to local light speed and can then be apprehended as ‘light’ or ‘energy’ by the ’substance’ it interacts with.


5polys by new_illuminati.

 

Vorticles appear to spin. Mass is manifested when vortexial structures appear from the matrix, slowed by a factor of local light speed and rotated into being by the presence of a standing wave to ‘create’ matter (in-phase rotating fields). Stroboscopic oscillations between nodes of these interlaced fields make up our material substance – ‘protons’, ‘electrons’, ‘neutrons’ – which are all really interlacing wave patterns, creating vorticles which oscillate in and out of phase with their surrounds.

In-phase fields produce apparent, regular 3D structures constructed of spinning vorticles of zero point aether. All of these transient or persistent shapes which underlie the apparent patterns of atoms can be inscribed within a sphere; a sphere is the geometrical inverse of a vortex. Those formations of vorticles which are internally symmetrical manifest as stable standing waves – matter. Others flip back into the infinite sea of potential, rotating back through other realms and dimensions.
Oscillating 3D structures with insufficient internal symmetry (parity) appear charged. Those which are internally symmetrical appear neutral. There are only five internally symmetrical solids but other non-Pythagorean arrangements also come into play in the manifestation of matter. The only possible arrangement that a sufficiently complex cluster of spinning vorticles or spheres can take without ‘grinding gears’ is located at the fourteen points of a virtual cube-octahedron – an arrangement that automatically arises from the underlying virtual tetrahedron field of timespace.

Rotations of potential (hyperspatial) fields through three dimensions at 45 degree angles stabilise 8-beat structures – cubes and octahedrons, which are the geometric inverse of each other. 36 degree rotations produce dodecahedrons ands icosahedrons, another pair of geometrical complements.


14VorWeb by you.


All 14 vorticles in a dodecahedron or cube-octahedron (a cube interlaced though an octahedron; see Contructing Reality) are aligned around a common field centre. The dodecahedron’s 12 faces are centred on the 12 vertices of a truncated cube-octahedron. This perfect ’shot pattern’ – the optimal arrangement for spherical storage – includes an inner 13th sphere, or vorticle. A corresponding 13th vorticle – an ‘electron’ – orbits the dodecahedral proton (basic hydrogen).

When stripped of their orbiting vorticle, dodecahedra lose parity and cohesion, and within a packed vorticle field they commonly form hydrogen plasma. Their 13th & 14th (inner & orbiting) vorticles rotate perpendicularly to the polar field alignment facets (vectors derived from the primacy of spin) and manifest in situ as two of the fourteen vorticles that turn together in a mutually reinforcing circuit to form a neutron.

The interlacing of parity (in the cube-octahedral formation) and charge (in the dodecahedral formation) manifest material structures as they oscillate around the ‘ideal’ 13-sphere shot pattern of the truncated cube-octahedron. The dodecahedral pole of this standing wave pattern is the ‘proton’ and the cube-octahedral pole is the ‘neutron’.

The vorticles are all aligned to the centre of their virtual dodecahedral and cube-octahedral structures by virtue of simple geometrical constraints. The vorticles that comprise these shapes continuously flash from one arrangement to the other, forming interlaced protons and neutrons that are the nodes of a standing wave – matter. This affects the spins of all in-phase surrounding structures; thus matter is a self-referencing standing wave locked into the holographic medium of one local in-phase universe among infinitude parallel realms, all perpetually spinning into, through, and out of each other in a multiverse of probabilities.

‘Electron flow’ – electricity – is another product of vorticle resonance; the transmission of information through a multidimensional fractal fluid hologram interfacing with resonating 4D standing waves. Magnetism is an effect of vorticle resonance on surrounding timespace flow – another artefact of symmetrical structures manifesting as alignments within an aether field.

These alignments also produce ‘gravity’ (See Magic Net). Virtual particles continually wink in and out of local existence. Within material fields – matter – it’s far easier for a virtual vorticle to manifest within a stable geometrical arrangement of other vortices and remain in the local timespace field. A vorticle is induced by simple geometrical constraints to move towards the greatest aggregation of other vorticles and find a stable place to occupy within their structure. Each potential vorticle is drawn into being and pulled through field-lines of progressively increasing interlacing as the common strongest local field centre is approached.

Virtual particles are continually manifesting and disappearing in our reality as adjacent realities twist through each other. Progressively more dense elements manifest more ‘matter’ within themselves than lighter elements or surrounding ‘space’ does. 

Gravity is a simple consequence of geometrical interactions that make it easier for energy/matter to condense from the aether in places where interlaced arrangements of atoms already exist – where ‘energy’ or ‘matter’ exists.

This explains the observation that the planet Earth is expanding at a rate of about an inch a year, and alters all premillennial conceptions of stellar formation and evolution. The interwoven harmonies of vibrating spheres at microcosmic and macrocosmic levels are the matrix of ‘reality’.

God doesn’t play dice. She plays music.

- R. Ayana 2003

Thanks to T.B. Pawlicki

4polyhedr by you.


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