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Showing posts with label vitrification. Show all posts
Showing posts with label vitrification. Show all posts

Wednesday, 23 October 2013

The Cosmogony of the Three Worlds: Artefacts of Lost Science from the Ancients


The Cosmogony of the Three Worlds
Artefacts of Lost Science from the Ancients


 



By
Jan Peter de Jong
Jan Peter de Jong

There is much to say about the history of mankind and of the Earth. On one hand, there are controversial views that range from extraterrestrial influences defended by Erich von Daniken and Sitchin to literal interpretations of the Bible that reduce the history of the Earth to a few thousand years.

On the other hand, we have the Orthodox scientists, who rely on archaeological and geological research, but do not realize that they might base their research on the wrong assumptions: assumptions that Darwinism is true, everything goes from primitive to advanced, and the Earth already has had the same mass, volume and orbital period around the Sun for millions of years.

Until I came in contact with Jesus Gamarra, the son of the late Alfredo Gamarra, I had not realized myself how far off current science might be. Jesus showed me phenomena in the ruins in and around Cusco, Peru. The official view is that everything in the ruins was created by the Inca. There are stunning buildings, made with great precision and often gigantic dimensions, in fantastic beautiful locations. One who sees these ruins for the first time is impressed by them, as I was. One thinks, this is very cleverly done by the Inca, but most will think that there is not much more to say about those old stones.

However, fate willed that I moved to live in Cusco. Because of daily contact with the ruins, such as the famous perfect fitting walls, and by working together with Jesus Gamarra, I began to see things in a new light. One stone is not the same as the others. Jesus told me about the precision, the giant dimensions, the different styles, the phenomenon of 'vitrification', etc.. All of this is repeated in other ruins, in the same way and in the same order, from Cusco to Sacsayhuaman, from the Sacred Valley of the Inca to Machu Picchu. Eventually, it is repeated on the global level; we can see the same phenomena in Egypt.

The point is that we see things, but we do not know how they were made, when they were made, or by whom they were made, an observation that Erich von Daniken also made when he saw Sacsayhuaman for the first time. For him, there were enough reasons to relate all of what he saw to alien intervention. A popular viewpoint is that the Inca could soften the stone with the help of plant extracts. This seems to me impossible to achieve because of the scale of all the phenomena. Besides, where is the plant that could be used in this way? An extremely orthodox view is that the Inca had another sense of time; They, with endless patience and with thousands of people, would have transported the stones and then would have carved them to fit them so exactly. It seems to me that they had better things to do, and also that the scale of the vestiges is such, and the labour that was needed would have been so complex, that this seems highly unlikely.

Actually, none of the above explanations sounded plausible to me. The opinion of Alfredo Gamarra, however, offered a surprising and refreshing alternative. I applied a new perspective to the archaeological sites, human history, and the history of the Earth. The solid foundation for this was laid by Alfredo's archaeological research in Cusco and the surrounding areas. The outcome of this research is the tangible, visual proof on which his further studies and conclusions are based. The DVD ''The Cosmogony of the Three Worlds", which I produced together with Jesus Gamarra, testifies to this. The most important conclusions of this documentary are that all the vestiges in and around Cusco, Peru, show the following aspects:

-There are three different styles to distinguish, and the first style plays a central role, being located under or in the centre of the following 2 styles

-The existence of ''vitrification'', a phenomenon in which the stone is very smooth and highly reflective.

-The presence of a large quantity of stones that seem to be deformed or molded like clay

- the repetition of this all in all ruins in Cusco and its surroundings, but also on a global scale

Alfredo Gamarra came to the conclusion that the 3 different styles matched 3 different periods. The first style is sacred for the styles thereafter. The first 2 construction styles were built in a time when gravity and density were less, and therefore, all materials could be worked on a grander scale with more ease and could then be more easily transported.

 

The Hanan Pacha time

 

The first style and period. Called by Alfredo the Hanan Pacha time, meaning Land of the Sky from Above, or the time of Paradise on Earth. This first style, with its corresponding monolithic building style, is seen as especially sacred all over the world. There was reason enough to build great monuments over it, such as the great pyramid of Egypt, which is built over the underground chamber, which is a typical example of this building style. Less gravity may explain how stone could have been modified. Even more striking examples of this architecture are the mountain on which Machu Picchu is built, the stone in the middle of the circles of Stonehenge, and the mountains on which the ruins of Pisac, Ollantaytambo, Chinchero and Sacsayhuaman are built. These examples show how certain areas of the rock come to the surface and were modified by this first culture in a characteristic way.

http://www.grahamhancock.com/images/forum/JongJP2/1.jpg
Typical example of an Hanan Pacha structure at Sacsayhuaman, notice how it looks as if those structures were pressed into the stone
CLICK IMAGE FOR FULL SIZE


Another fine example is the Rock of the Dome, the stone inside the mosque on the Temple Mount in Jerusalem, a sacred monument for Jews, Muslims and Christians. Nowadays it is a piece of rock on which all 3 religions make their claims, but the message of Alfredo is this: One world, one religion, because this stone is sacred, because it is from the beginning time of human history! Alfredo Gamarra said there was a 225 day calendar at this time, a calendar which was discovered on the Sun Gate in Tiahuanaco, near Lake Titicaca in Bolivia. So a time in which Earth was closer to the Sun, was smaller and therefore had less mass, resulting in less gravity.

 

The Uran Pacha time

 

The second style and period. During the second period it was still possible to make use of the circumstances of lesser gravity; it was also easier to manipulate the stone, but not so much as during the first period. Characteristic of this time is the way that stones fit together perfectly, without the use of a bonding material such as cement between them. These stones can be very large, rectangular or polygonal. Examples can be found all over the world. Very impressive are the walls of Sacsayhuamán.

I could personally see that in Peru the phenomenon of vitrification is related to this building style, as if the stone has undergone a molecular change. This is normally seen on the connection points. Also, other spots on some of the stones can be detected that underwent the same treatment, making it look as if an iron was used to mold the stone. At night, with artificial light, the reflective edges and other spots can be noticed, for example in the centre of Cusco.This style is often built very carefully around or over the first style. During this period, according to Alfredo Gamarra, there was an orbit of 260 days, a calendar equivalent with the Tzolkin calendar of the Maya.

koricanchamurovitr
outside wall of the Koricancha in Cusco, showing the perfect fit and shine (vitrification) on the borders.
CLICK IMAGE FOR FULL SIZE

koricanchamurovitr
Inside wall of the Koricancha, showing again the always perfect fit, many knobs, cushion form and 2 vitrified stones (left and right on picture)
CLICK IMAGE FOR FULL SIZE

 

The Ukun Pacha time

 

The third style and period. The third style is the simplest style. Small stones that were treated with a hammer and chisel, sometimes very precisely so as to seemingly mimic the 2nd style, but never as perfectly fitting. This was in in most cases the work of the Inca in Peru. They too had a lot of respect for the previous 2 styles, as they also built over or around those earlier styles. This is not an underestimation of what the Inca were capable of; they simply had not the technology to do the same. Alfredo Gamarra came to these interpretations as a result of dreams, literature review, research in the field, and study of the Quechua and Aymara languages, the ancient languages of the people living in and around Cusco. A subject mentioned also in Graham Hancock's book “The Fingerprints of the Gods” Alfredo explained how his research relates with the Bible, Atlantis and other lost and ancient cultures. The underlying idea of his theories is the division of the history of mankind in 3 periods, with lesser gravity on Earth during the 2 earlier periods. This comes back through his whole work, and it is what Jesús Gamarra and I decided to explore in the documentary “The Cosmogony of The Three Worlds”.

Once having this vision clear for myself, I found more clues and evidence about a smaller Earth and less gravity in the past. This only strengthened Alfredo's story for me. The most obvious evidence is to be found within biology and geology.

Biology: Megaflora and megafauna. Alfredo Gamarra claimed that the extinction of megaflora and -fauna was due to an increase in gravity. There are several authors who claim the same; a good example is the book by Stephen Hurrell called Dinosaurs and the Expanding Earth. In this book, the author demonstrates that the gigantic dimensions of, for example, dinosaurs, do not fit in our current world. They would collapse under their own weight; it is possible to calculate which dimensions dinosaur's legs should've had, just as you can calculate how thick the pillars of a bridge need to be to carry the weight of the bridge. The heart was also too small to be able to pump the blood around. The birds of that time had wings too large and too heavy to fly (wingspans over 10 metres). Hurrel also shows that there is a tendency from large to smaller in the course of the history of many animal and plant species.

Geology: The Expanding Earth theory is another major theory that I came across during my search for more information. A geological theory that has existed for quite some time and that is experiencing a revival, thanks in part to authors like James Maxlow. Maxlow has presented a major work, called Terra Non Firma Earth. He makes it clear that an expanding Earth is hard to deny with all the evidence he presents. He proves that a smaller Earth used to exist, and that the entire “floating continents model” is wrong ( based on an Earth that through time had the same scale and mass). It is convincing to see how all the continents fit together, not on the Earth with the current dimensions, but on an Earth that is about 55% of the current diameter.

According to Alfredo Gamarra, the Earth indeed underwent a process of growth, not as the Expanding Earth theory assumes (slowly and continually), but with changes of orbit, going from one orbit to the next, each time farther away from the sun, along with a mass increase and therefore an increase in gravitational force. The sun underwent a similar process, increasing in mass, so that in earlier orbits the force of the sun was relatively less, meaning that the effect of being closer to the sun was not so damaging for life on Earth as it would be today.

According to Alfredo, humanity would have been living in the last three orbits (including the present one). He was able to identify the different periods with the different construction styles, differences in lifespans and sizes of people, with the last ice ages, and with different periods that are mentioned in sacred scripts like the Bible.

Gods, Giants, psychic abilities and high ages can be related with gravity. Alfredo Gamarra indicated that humanity during earlier orbits had more abilities (such as telepathy and telekinesis), was bigger, and could live longer. Standard works such as “Human Devolution” and “Forbidden Archeology” by Michael Cremo point toward this same conclusion. What is the effect of gravity on aspects such as health, maximum lifespan and special abilities? One can imagine that gravity is something that pulls us down our entire life, which at the end makes us feel tired, and that at older ages we will be worn out, and our spine will become more curved.

It seems that in space renewal of cells in our body practically stops, as research on Russian astronauts who stayed in space for months pointed out. At current gravitational force, our body renews all its cells every 6 months. It seems there is a limited, maximum number of times that our body cells can renew within one lifetime. This means that under lower gravitational force, the rate of cell renewal would be less, and man could live longer.

Alfredo's first period corresponds to the time of the paradise on Earth; during this time man was (almost) immortal. During the 2nd period lifespan would have been over 1000 years, and during the 3rd period “His days shall be an hundred and twenty years '' - a division in 3 different periods by age, that we can find in the Bible.

The existence of telepathy and other capabilities, ascribed to the gods from the myths and legends of many cultures, we can explain as follows: due to less gravity, everything was less dense in that time, so matter was easier to master by our thoughts. I agree with the principle that there exists a field in which everything is connected with everything, as described in the famous book by Lynne McTaggart, “The Field.” McTaggart proves the existence of this field; it is the universal force, which is also connected to the human spirit and thought. In this way, she explains telepathy as well as distance healing. Today, however, few people realize this principle due to the density of our existence, and apart from some very talented people, we only seem to realize this once we make use of methods like meditation, prayer, hypnosis, metaphysics or the use of drugs.

This brings us back to Alfredo Gamarra. He claimed, for example, that by the change of orbit from the 2nd to the 3rd period, humanity lost its ability of telepathy and had to learn to talk. Before that time, we did not need to talk. It was the time of the Babylonian Confusion of Languages. Thinking in the way of McTaggart, it suddenly became for man much more difficult to make contact with the field because of an increased density by the increased gravitational force.

I hope this gives a good overview of Alfredo Gamarra's ideas about how 3 different periods existed during human history and how this, according to him, relates with the presence of 3 different building styles in the Inca vestiges of Peru and several other places around the world. For more details on these ideas, see our DVD The Cosmogony of The Three Worlds, and the websites mentioned below.






Bibliography:

James Maxlow, Terra Non Firma Earth
Erich von Däniken Chariots of the Gods?
Michael Cremo, Human Devolution
Michael Cremo, Forbidden Archeology
Jesús Gamarra, Parawayso
Jesús Gamarra and Jan Peter de Jong, The Cosmogony of The Three Worlds
Jesús Gamarra and Jan Peter de Jong, Etemenanki, The Tower of Babel in Cusco, Peru?

-         Jan Peter de Jong.






From Graham Hancock.com @ http://www.grahamhancock.com/forum/JongJP2.php  


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Saturday, 20 July 2013

Radiation in Ancient Egypt: MYSTERIOUS GLASS in the EGYPTIAN SAHARA

Radiation in Ancient Egypt
MYSTERIOUS GLASS in the EGYPTIAN SAHARA

 http://www.arizonaskiesmeteorites.com/Libyan-Desert-Glass/Libyan_Desert_Glass_2.jpg


One of the strangest mysteries of ancient Egypt is that of the great glass sheets that were only discovered in 1932. In December of that year, Patrick Clayton, a surveyor for the Egyptian Geological Survey, was driving among the dunes of the Great Sand Sea near the Saad      Plateau in the virtually uninhabited area just north of the southwestern corner of Egypt, when he heard his tyres crunch on something that wasn't sand. It turned out to be large pieces of marvellously clear, yellow-green glass.​

​In fact, this wasn't just any ordinary glass, but ultra-pure glass that was an astonishing 98 per cent silica. Clayton wasn't the first person to come across this field of glass, as various 'prehistoric' hunters and nomads had obviously also found the now-famous Libyan Desert Glass (LDG). The glass had been used in the past to make knives and sharpedged tools as well as other objects. A carved scarab of LDG was even found in Tutankhamen's tomb, indicating that the glass was sometimes used for jewellery.

​
An article by Giles Wright in the British science magazine New Scientist (July 10, 1999), entitled "The Riddle of the Sands", says that LDG is the purest natural silica glass ever found. Over a thousand tonnes of it are strewn across hundreds of kilometres of bleak desert. Some of the chunks weigh 26 kilograms, but most LDG exists in smaller, angular pieces--looking like shards left when a giant green bottle was smashed by colossal forces.

​According to the article, LDG, pure as it is, does contain tiny bubbles, white wisps and inky black swirls. The whitish inclusions consist of refractory minerals such as cristobalite. The ink-like swirls, though, are rich in iridium, which is diagnostic of an extraterrestrial impact such as a meteorite or comet, according to conventional wisdom. The general theory is that the glass was created by the searing, sandmelting impact of a cosmic projectile.​

​However, there are serious problems with this theory, says Wright, and many mysteries concerning this stretch of desert containing the pure glass. The main problem: Where did this immense amount of widely dispersed glass shards come from? There is no evidence of an impact crater of any kind; the surface of the Great Sand Sea shows no sign of a giant crater, and neither do microwave probes made deep into the sand by satellite radar.

​
Furthermore, LDG seems to be too pure to be derived from a messy cosmic collision. Wright mentions that known impact craters, such as the one at Wabar in Saudi Arabia, are littered with bits of iron and other meteorite debris. This is not the case with the Libyan Desert Glass site. What is more, LDG is concentrated in two areas, rather than one. One area is oval-shaped; the other is a circular ring, six kilometres wide and 21 kilometres in diameter. The ring's wide centre is devoid of the glass.​

One theory is that there was a soft projectile impact: a meteorite, perhaps 30 metres in diameter, may have detonated about 10 kilometres or so above the Great Sand Sea, the searing blast of hot air melting the sand beneath. Such a craterless impact is thought to have occurred in the 1908 Tunguska event in Siberia--at least as far as mainstream science is concerned. That event, like the pure desert glass, remains a mystery.
​

​Another theory has a meteorite glancing off the desert surface, leaving a glassy crust and a shallow crater that was soon filled in. But there are two known areas of LDG. Were there two cosmic projectiles in tandem?

​Alternatively, is it possible that the vitrified desert is the result of atomic war in the ancient past? Could a Tesla-type beam weapon have melted the desert, perhaps in a test?



An article entitled "Dating the Libyan Desert Silica-Glass" appeared in
the British journal Nature (no. 170) in 1952. Said the author, Kenneth Oakley:3

Pieces of natural silica-glass up to 16 lb in weight occur scattered sparsely in an oval area, measuring 130 km north to south and 53 km from east to west, in the Sand Sea of the Libyan Desert. This remarkable material, which is almost pure (97 per cent silica), relatively light (sp. gin. 2.21), clear and yellowish-green in colour, has the qualities of a gemstone. It was discovered by the Egyptian Survey Expedition under Mr P.A. Clayton in 1932, and was thoroughly investigated by Dr L.J. Spencer, who joined a special expedition of the Survey for this purpose in 1934.

The pieces are found in sand-free corridors between north-south dune ridges, about 100 m high and 2&endash;5 km apart. These corridors or "streets" have a rubbly surface, rather like that of a "speedway" track, formed by angular gravel and red loamy weathering debris overlying Nubian sandstone. The pieces of glass lie on this surface or partly embedded in it. Only a few small fragments were found below the surface, and none deeper than about one metre. All the pieces on the surface have been pitted or smoothed by sand-blast. The distribution of the glass is patchy. While undoubtedly natural, the origin of the Libyan silica-glass is uncertain. In its constitution it resembles the tektites of supposed cosmic origin, but these are much smaller. Tektites are usually black, although one variety found in Bohemia and Moravia and known as moldavite is clear deep-green. The Libyan silica-glass has also been compared with the glass formed by the fusion of sand in the heat generated by the fall of a great meteorite; for example, at Wabar in Arabia and at Henbury in central Australia.

​Reporting the findings of his expedition, Dr Spencer said that he had not been able to trace the Libyan glass to any source; no fragments of meteorites or indications of meteorite craters could be found in the area of its distribution. He said: "It seemed easier to assume that it had simply fallen from the sky."​

It would be of considerable interest if the time of origin or arrival of the silica-glass in the Sand Sea could be determined geologically or archaeologically. Its restriction to the surface or top layer of a superficial deposit suggests that it is not of great antiquity from the geological point of view. On the other hand, it has clearly been there since prehistoric times. Some of the flakes were submitted to Egyptologists in Cairo, who regarded them as "late Neolithic or pre-dynastic". In spite of a careful search by Dr Spencer and the late Mr A. Lucas, no objects of silica-glass could be found in the collections from Tut-Ankh-Amen's tomb or from any of the other dynastic tombs. No potsherds were encountered in the silica-glass area, but in the neighbourhood of the flakings some "crude spearpoints of glass" were found; also some quartzite implements, "quernstones" and ostrich-shell fragments.

​Oakley is apparently incorrect when he says that LDG was not found in Tutankhamen's tomb, as according to Wright a piece was found. At any rate, the vitrified areas of the Libyan Desert are yet to be explained. Are they evidence of an ancient war--a war that may have turned North Africa and Arabia into the desert that it is today?



New Illuminati: More likely evidence for plasma strikes in antiquity in relation to the predictions and observations of electric universe theorists…


Ancient Egyptian Glass From Outer Space | BBC Documentary 

  


Horizon follows a team of scientists set out to solve the mystery of chunks of ancient glass scattered in a remote part of the Sahara Desert. Their quest takes them on a perilous journey into the Great Sand Sea, the wastes of Siberia and the test site of the world's first atomic bomb in New Mexico. What their search uncovers is a devastating new natural phenomenon.

In 1996 in the Egyptian Museum in Cairo, Italian mineralogist Vincenzo de Michele spotted an unusual yellow-green gem in the middle of one of Tutankhamun's necklaces.

The jewel was tested and found to be glass, but intriguingly it is older than the earliest Egyptian civilisation.

Working with Egyptian geologist Aly Barakat, they traced its origins to unexplained chunks of glass found scattered in the sand in a remote region of the Sahara Desert.

But the glass is itself a scientific enigma. How did it get to be there and who or what made it?

The BBC Horizon programme has reported an extraordinary new theory linking Tutankhamun's gem with a meteor.
 
Sky of fire

An Austrian astrochemist Christian Koeberl had established that the glass had been formed at a temperature so hot that there could be only one known cause: a meteorite impacting with Earth. And yet there were no signs of a suitable impact crater, even in satellite images.

American geophysicist John Wasson is another scientist interested in the origins of the glass. He suggested a solution that came directly from the forests of Siberia.

"When the thought came to me that it required a hot sky, I thought immediately of the Tunguska event," he told Horizon.

In 1908, a massive explosion flattened 80 million trees in Tunguska, Siberia.

Although there was no sign of a meteorite impact, scientists now think an extraterrestrial object of some kind must have exploded above Tunguska. Wasson wondered if a similar aerial burst could have produced enough heat to turn the ground to glass in the Egyptian desert..



From http://www.youtube.com/watch?v=-12sKXZ7W8c

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Saturday, 25 February 2012

Plasma, Solar Outbursts, and the End of the Last Ice Age

Plasma, Solar Outbursts, and the End of the Last Ice Age

 http://upload.wikimedia.org/wikipedia/commons/3/33/Lightning_Strike_new.jpg

by Robert M. Schoch 


heinrich harder rendering of ice age and mastodon15,000 to 11,000 years ago Earth experienced a series of climatic fluctuations. It had been extremely cold, with continental glaciers extending much further than they do today, but the climate started to warm. However, temperatures suddenly reverted back and there was a short cold spell, known as the Younger Dryas, before the final warming and the official end of the last ice age.

Based on Greenland ice core data, the Younger Dryas began and ended very abruptly. Its start dates to 10,900 B.C., and its ending (the final warming) began circa 9700 B.C. and may have occurred within an incredible three years; given our inability to resolve the finest details of something that happened so long ago, it may have literally happened overnight.

image of solar flareHow do we explain this pattern of abrupt climatic shifts? I once hypothesized that comets were responsible. A comet hitting the land or a shallow ocean, or exploding above the land's surface, scattering dust and debris into the atmosphere, would cause global cooling. Although the initial strike would happen in a flash, it would take some years for the cooling to reach its full extent. This pattern fits well with the cooling at 10,900 B.C. and there is evidence of a cometary explosion over North America at this time.
 
picture of a modern spriteWhat about the warming event of circa 9700 B.C.? In years past I speculated that comets hitting deep oceans were responsible. A comet might break the thin oceanic crust, releasing heat from the hot magma beneath. Vaporized and displaced water would rain down on Earth, and tsunamis would wash across coastal areas, warming the planet. But even with a comet, or a series of comets, bombarding the oceans, could the warming happen as quickly as the Greenland ice cores indicate? I think not. But if not comets, what?

picture of rongorongotablet and detailOddly, the indigenous Easter Island rongorongo script may hold the answer. But first we have to consider the concept of the fourth state of matter--plasma. Plasma consists of electrically charged particles. Familiar plasma phenomena on Earth today include lightning and auroras, the northern and southern lights, and upper atmospheric phenomena known as sprites. In the past, much more powerful plasma events sometimes took place, due to solar outbursts and coronal mass ejections (CMEs) from the Sun, or possibly emissions from other celestial objects. Powerful plasma phenomena could cause strong electrical discharges to hit Earth, burning and incinerating materials on our planet's surface. Los Alamos plasma physicist Dr. Anthony L. Peratt and his associates have established that petroglyphs found worldwide record an intense plasma event (or events) in prehistory.

illustration of peratt plasma studies and petroglyphs in comparison to the rongorongo shapesDr. Peratt determined that powerful plasma phenomena observed in the skies would take on characteristic shapes resembling humanoid figures, humans with bird heads, sets of rings or donut shapes, and writhing snakes or serpents--shapes reflected in countless ancient petroglyphs. The Easter Island rongorongo script, recorded on antique wooden tablets, is composed of similar shapes as the petroglyphs. Studying them in detail (inspired by my wife, Catherine Ulissey, who first noticed the connection), I concluded that the Easter Island rongorongo tablets (the surviving tablets are copies of copies of copies . . . .) record a major plasma event in the skies thousands of years ago. This, I believe, was the event that brought a final close to the last ice age.

illustration of peratt plasma studies and petroglyphs in comparison to the rongorongo shapesPlasma hitting the surface of Earth could heat and fuse rock, incinerate flammable materials, melt ice caps, vaporize shallow bodies of water creating an extended deluge of rain, and send the climate into a warming spell. The release of pressure that follows the melting of thousands-of-meters-thick ice sheets can induce earthquakes and even cause hot rock under pressure to melt and erupt to the surface as volcanoes. The world was in chaos, and this is the event recorded by petroglyphs and the rongorongo texts.

illustration of peratt plasma studies and petroglyphs in comparison to the rongorongo shapesThe plasma event of 9700 B.C. eradicated advanced civilizations and high cultures of the time, and the radiation emanating from the plasma may have affected mental and psychical abilities. This could be the basis for the nearly universal myth of a Golden Age, a time when beings on Earth had mental abilities far surpassing those of later times. The 9700 B.C. event may be the original basis for the Atlantis legends; the timeframe fits well with Plato's account.

picture of the rongorongo shapes in comparison to the nazca formationsPlasma and electrical discharges hitting the surface of Earth may have been responsible for the vitrification (melting into crude glass) of ancient stone structures seen in some parts of the world, such as various hill forts in Scotland (to the right are some photos showing vitrification at an ancient Scottish hill fort, along with the ground plan of such a fort--the vitrification is shown by the dark shading). People cowered for their lives; they sought shelter in caves, under cliffs, in dwellings built of thick stone or carved into mountainsides. 

Perhaps Göbekli Tepe was intentionally buried in an attempt to protect it from on-going plasma events. Humankind was thrown into a dark age for thousands of years, only to reemerge with vague and scattered memories of what had happened. Some of those memories took physical shape in the megalithic architecture found around the world -- what better way to attempt an escape from fierce skies than in a protective solid stone "fallout shelter"?

picture of vitrified rock from the mote of markSince February 2010 I have been publicly speaking and writing about the new theories presented on this page. I currently (January 2012) have a forthcoming book covering these issues and much more, scheduled for publication by Inner Traditions later this year. When the book is available for purchase, I will announce it here on my website. In the meantime, if you find these ideas interesting, you might want to take a look at three articles I wrote for the Australian magazine New Dawn. (The links below are to PDFs of each article.) They are titled:









From http://www.robertschoch.com/plasma.html

image of robert schoch examining vitrified rock at the mote of mark







For more information about our plasma cosmos see http://nexusilluminati.blogspot.com/search/label/electric%20universe

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